A Quote by Priyadarshan

'Hungama' leaves all problems behind and just lets the audience have a good laugh. — © Priyadarshan
'Hungama' leaves all problems behind and just lets the audience have a good laugh.
When I do something good, the audience lets me know immediately. They laugh. That's it.
The most stressful and difficult part of steering a large movie is that you are taking on the responsibility of communicating with a very wide audience. You can't ever hide behind the notion of, 'Okay, they just don't get it,' or, 'Certain people just don't get it.' You have to be mindful of the size of your audience, and you have to communicate in a way that lets them in.
Naked a man comes into the world and naked he leaves it, after all is said and done he leaves nothing except the good deeds he leaves behind.
The audience works as such a mob. They either all laugh or all don't laugh, and, you know, changes from audience to audience.
A long-running show leaves behind a legacy of storytellers and their relationship with the audience.
I’ve never seen an exploding helicopter. I’ve never seen anybody go and blow somebody’s head off. So why should I make films about them? But I have seen people destroy themselves in the smallest way, I’ve seen people withdraw, I’ve seen people hide behind political ideas, behind dope, behind the sexual revolution, behind fascism, behind hypocrisy, and I’ve myself done all these things. So I can understand them. What we are saying is so gentle. It’s gentleness. We have problems, terrible problems, but our problems are human problems.
A good example of a lyric that makes me laugh but might not hit anybody right away is, "Sit behind the guitar and play the chords," just because it's such a lame image. It's not rock'n'roll at all to be sitting behind a guitar.
I was afraid no one would laugh, and I wanted to pretend I wasn't noticing the audience. I didn't want the audience to get the idea I was telling a joke and waiting for a laugh.
Whatever your problems are, keep in mind that you die at the end of all this. Lets get out there, brutalize ourselves and laugh at those certain pricks who take it seriously, like there is any way to win in all this.
I try to make the majority of my audience laugh. That's my audience. They'll laugh at the dead terrorist.
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
Beneath the makeup & behind the smile I'm just the girl who wishes for the world. A wise girl kisses, but doesn't love. Listens but dosen't believe. And leaves before she is left. If you can make a girl laugh - you can make her do anything. It's often just enough to be with someone. I don't need to touch them. Not even talk. A feeling passes between you both. You're not alone.
I enjoy the character interplay. Sometimes the audience is not laughing, but smiling, and that is almost just as good because it keeps them ready to laugh.
Logic is the last scientific ingredient of Philosophy; its extraction leaves behind only a confusion of non-scientific, pseudo problems.
That stupid postmodern emphasis on image over content has slammed us right into a dramaturgy that willfully leaves the audience behind and then resents the fact that they don't 'get it.'
I like to service the full audience of America, so I try to do things that are just real artistic, like when they don't have the most money, but it's a great piece of work. Then, there are big, fun comedies and big animated movies for kids. I want to do things for my nieces and nephews. Ultimately, we're trying to deliver something entertaining to an audience. As long as it can entertain the audience, and it makes me or my niece and nephew laugh or cry, then I think it's good.
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