A Quote by Priyadarshan

I felt shaky, then 'Hungama' worked, and I signed films left, right and centre to kill my insecurity. — © Priyadarshan
I felt shaky, then 'Hungama' worked, and I signed films left, right and centre to kill my insecurity.
The right-of-centre parties still often compete with left-of-centre ones to proclaim their attachment to all the main programmes of spending, particularly spending on social services of one kind or another. But this foolish as well as muddled. It is foolish because left-of-centre parties will always be able to outbid right-of-centre ones in this auction - after all, that is why they are on the left in the first place. The muddle arises because once we concede that public spending and taxation are than a necessary evil we have lost sight of the core values of freedom.
Pittsburgh, for a while, became a production centre. There was one $400 million year. Hollywood was bringing productions in there. Films like 'The Silence of the Lambs' and 'Innocent Blood.' So my guys, the guys I worked with, were able to have careers and live at home. But then it dried up, and a lot of my friends left.
Right-wing, pivot, centre-back, full-back, right, left. I've never felt uncomfortable anywhere.
An article on playwrights in the Daily Mail , listed according to Hard Left, Soft Left, Hard Right, Soft Right and Centre. I am not listed. I should probably come under Soft Centre.
Doing things in my day was simple: you either signed to a big label or you signed to a very small label, and you worked with that one, and then they eventually signed you on to a big one.
I was determined to get it right on the pitch. Then, if I had to leave at the end of the season, so be it. I never felt threatened or isolated by the arrangement. We worked together and it worked out.
People call me left of centre, they don't even know why left is called left and why right is called right. They have no clue. These are just you know jargons - created and marketed.
Sometimes you see films, not just science fiction films, where you get the sense that if the camera were to pan just to the left or the right, all of a sudden you'd be seeing light stands and crew standing around. But with 'Blade Runner,' the beauty of it is that it felt like a real, breathing city.
I could have signed 10 films after 'Jai Ho,' but those films would have done nothing for me. I wanted to wait for the right project.
It is the success of 'Hera Pheri' that made me do more comedy films like 'Hungama,' 'Malamaal Weekly' and 'Bhool Bhulaiyaa.'
When I was switching around in my early stages, people underestimated how difficult it was just to go from playing centre midfield to right-back to centre-back to right-back to centre midfield.
Obviously I'm not prone to leak secrets left, right and centre.
I can play in the centre or on the wing, behind one or two strikers, on the left or the right.
In 2010 I had signed three big banner films with actors like Amitabh Bachchan, Tabu, Arjun Rampal. Directors like Ken Ghosh, Bela Bhansali signed me and I had got my signing amounts but those films did not take off at all.
I don't understand the art of compromise, and it's a shame the politicians don't understand that as well, you know, we might have a better, clearer world. But then saying that, we might also get a lot of Donald Trump's running left right and centre.
I was honored I was signed to Sony. But later I felt like they weren't the right team.
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