A Quote by Quentin Tarantino
Spaghetti Westerns are really brutal and operatic with a surreal quality to the violence.
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We talked to Sergei Bodrov who did "Mongel" who I thought was incredible. There was a lot of people who've done a lot of things that I really appreciate and then you go back to the Italian spaghetti westerns that our spaghetti westerns were based off of so I've seen everything.
The thing that influenced me most in relation to 'Nanny McPhee' were the Westerns I watched with my father. All the Spaghetti Westerns; all the Virginians; all the High Chaparrals. Because if you think about the form, it's a stranger from out of town.
I actually don't like westerns much. I like good westerns, but it isn't my preferred genre. There are all kinds of westerns: acid westerns, '70s westerns, Nicholas Ray's neurotic westerns. The ones I tend to like are nutso westerns.
I am inspired by both Japanese Samurai films, in particular the films of Kurosawa, and how they share the spirit of American Westerns, with the influences running in both directions, and including the 'Spaghetti Westerns' and films of Sam Peckinpah.
Sergio Leone was a big influence on me because of the spaghetti westerns.
I loved spaghetti westerns but besides these pure entertainment movies, there was also something different.
As a child, I was subjected to a lot of spaghetti Westerns and hated them. I wanted the Indians to win - or just not be so sad!
I always knew I wanted to do a Western. And trying to think of what that would be, I always figured that if I did a Western, it would have a lot of the aesthetics of Spaghetti Westerns, because I really like them.
Hollywood cools, and when it cools you have to go to where the work is. I ran off to Italy to do spaghetti westerns.
It started with the Godfather, this operatic violence. I don't know.
I've always been a fan of Westerns, but my favorite kind of Westerns mostly were Sam Peckinpah's Westerns, and they mainly took place in the West that was changing.
The New Gods really need to be larger than life. There's an operatic quality to them, and they need to be handled pretty carefully, or else you'll go too far and be almost like a caricature.
Nowadays with the internet, it's an equal opportunity brutal playing field. I mean, everyone is brutal to everybody half the time. People can be unbelievably brutal on the internet, about everything. But they can also be really, really nice. The problem is that human beings like to focus on the negative sometimes, unfortunately.
I watched westerns when I was a kid, like everybody else, but I wasn't a total nerd or geek about it. I kind of fell in love with westerns heavily when I started watching Sergio Leone's westerns.
I loved working on that show [Defiance]. I mean, that show was brutal. We worked long, brutal hours in really brutal weather.
I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
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