A Quote by Quentin Tarantino

If a Million People See My Movie, I Hope They See a Million Different Movies. — © Quentin Tarantino
If a Million People See My Movie, I Hope They See a Million Different Movies.
The thing with film is that it's so wide-reaching compared to comedy. When I release my comedy special, half a million people will see it. If I release a movie, five to ten million people will see it.
The average Indian doesn't care about Hollywood movies because they have far too many movies of their own to watch, to miss, and I hope a story like 'Million Dollar Arm,' that is actually about India and deals with these two Indian kids, resonates over there and makes people want to go and see the movie.
My concept was, within the five-minute video, for people to see one million Buddhas. So I made a group of the images and it keeps accelerating to reach this one million point. The movie was invented from the still photos.
All these directors who do different locations forget that one room can be shot from a million different angles and a million different ways. When I direct a movie, I'm going to use that.
The million, million, million ... to one chance happens once in a million, million, million ... times no matter how surprised we may be that it results in us.
If you were my agent and I was making $10 million a movie and made four movies a year, that means you have a salary of $4 million.
I wanted to see if you could put a prototype radio station on the Internet so you wouldn't have to invest $50 million or $100 million or $150 million to buy a transmitter and a frequency.
I wanted to see if you could put a prototype radio station on the Internet so you wouldnt have to invest $50 million or $100 million or $150 million to buy a transmitter and a frequency.
You have these big $200 and $300 million movies with special effects, and I've always thought, 'Gee, why don't we make 30 movies instead of one $300 million movie?' Let's shake it up a bit; wouldn't that be a better bet? Evidently not.
A femtosecond is comparable to one second in 32 million years. It is like watching a 32-million-year movie to see one second.
If 10 people see my movie and all ten really love it, then that means a lot to me, rather than ten million people go and see it and most of them hate it.
You can make a feature that makes millions but only so many people see it. With a hit TV show, every week you'll have 16 million - 20 million people watching you.
Of the seven million Americans living abroad, one million are military, and not all of them are Republicans. The other six million are overwhelmingly Democrat because people who live in foreign countries have a much different perspective as to what is happening in our country.
I was thinking, there are 5 million people, and I am just one of those 5 million. In the build-up to the war you see children playing in the street, and you think, ah, I'm going to be okay.
I think all minority audiences watch movies with hope. They hope they will see what they want to see. That's why nobody really sees the same movie.
The movies I've done with Wes [Anderson] have a much different quality than some of the more broad comedies. But what is interesting is how many sequels I've done. I've worked with Ben [Stiller] a million times now, and this is yet another sequel we're doing. I guess we're lucky to be in some movies that people wanted to see again.
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