A Quote by Quentin Tarantino

The film [Django] really has a lot of ups and downs, and taps into a lot of different emotions. To me, the trick was balancing all those emotions, so that I could get you where I wanted you to be by the very end. I wanted the audience cheering in triumph at the end.
With all these ups and downs, if you can stay steady through those emotions, it'll help you out a lot.
It's just been a lot of hard work and lot of auditions. A lot of ups and downs, but a lot of ups, and I'm really happy for my downs, too. I'm really thankful.
Everyone wanted my emotions to be very simple. They wanted me to say, "I was poor and I was unhappy, and now I've got money and I'm really happy."
Longing surged up within me. I wanted it. Oh God, I wanted it. I didn't want to hear Jerome chastise me for my "all lowlifes, all the time" seduction policy. I wanted to come home and tell someone about my day. I wanted to go out dancing on the weekends. I wanted to take vacations together. I wanted someone to hold me when I was upset, when the ups and downs of the world pushed me too far. I wanted someone to love.
I think people relate to me because of the ups and downs I have had. I mean, I've shared a lot of strong emotions in my life, that I think maybe 'cause they believe I'm not scared to tell everybody I'm a human being.
I always wanted to live the lives of different people, portray characters that are different from me. But I could have done that in front of a mirror, also, I didn't need to do films for that. At the end of the day, it's this fame, recognition, popularity, the love and appreciation you get from your audience that drives you.
There have been ups and downs, but it has taught us a lot in life. Going with the team through those ups and downs is a terrific journey.
I wanted to be different and original but still have it be something my fans could get into. There also are some big, beautiful ballads. I told my producers that I wanted tracks that are going to blow up in the clubs, but I also wanted songs that were very melodic and with a lot of instrumentation.
A lot of guys go through ups and downs in their careers, and sometimes those downs are like horrific and they can really change you. A lot. And so when you go out there and do something like score a touchdown and have a good game, you appreciate it so much more when you've been through those valleys in life.
A lot of the ups and downs for me, especially the downs, I feel like it came in a lot of indirect ways because I didn't appreciate what I had.
I have seen that grief can be very different for different people. While the range of emotions experienced is similar, the way we deal with those emotions isn't, necessarily.
I always wanted to do films. I'd gone to New York early in 1976 and did a lot of theater, but I really wanted to chase the paths of people like Pacino and Lemmon and those guys. Alan Arkin. Film was where I wanted to go.
I feel oddly at peace with the ups and downs of pandemic life. They're not too different from the ups and downs of deployment life, which I've experienced a lot the last few years as my husband, an Army Special Forces officer, has been overseas.
I wanted a racially just society. I wanted to end wars. I wanted to end white supremacy. I wanted to create a world that was based on egalitarianism, sharing, racial justice.
It seems to me that dominant cinema seems to require an empathy or a sympathy between the film and the audience which is basically to do with the manipulation of the emotions and it seems to me again -- and this is a very subjective position -- that most cinema seems to trivialise the emotions, sentimentalising or romanticising them.
To me, country music is emotions, certain harmonies. But it's all in the emotions - a lot of good times, a lot of hard times.
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