A Quote by Quentin Tarantino
I write movies about mavericks, about people who break rules, and I don't like movies about people who are pulverised for being mavericks.
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I just try to be true to myself and write about things I'm passionate about. I think what most people don't like about movies is they can tell that most movies are a product, and they don't mean that much to the people who make them.
I think there are things that aren't represented in movies that are a big part of everyone's life. We romanticize everything about people in movies. One of the things I don't like in movies is that people feel alone with their bodily functions in the real world, as if people in the movies don't do these things.
I really think more about being honest and truthful about feelings and how people behave for the movies that I direct, but I also love movies like Zohan and Anchorman, just balls to the wall, how much can you make people laugh in one 90 minute period.
I rarely get the "Annie Hall" references other than from people who are aficionados of movies, people who really care about movies. But in general, people don't even think about it.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
People love to talk about how the '70s are the only time they made movies about characters, and adult movies, and complicated people. But in the '80s, they got away with some of those too.
I try to find inspiration in books, paintings, illustrations and the one thing I try to avoid is just being inspired by other movies, because then you just are talking about movies in movies. I try to talk about movies that are culturally and spiritually a little more diverse.
I stopped reading reviews about my own movies. I read stuff about other people's movies.
I think that the reason that people are so up in arms about movies that have historical inaccuracies is because now that we've trashed our education institutions beyond repair, people fear that the only people are getting their histories is through the movies, so the elephant in the room is that no one wants to talk about why we're so passionately obsessed with accuracy.
I think its important for movies to recognize that they are part of a history of movies. I also think that most movies are about movies anyway, even if they're about something else.
I'm passionate about fantasy movies. I'm passionate about comic book movies. I'm passionate about superheroes. And movies about vengeance. And all of that - the stuff that I grew up reading.
I'm trying to write truthfully about life, and naturalism, or the way people normally talk in movies, is a convention. The way I write is about life and is quite truthful, and there is a kind of brutal side to the relationship, and to the feelings, that makes it somewhat painful, but I think it's a very intense portrait of the relationship of two people. And a bit about what people feel like when they're alone, because it all takes place in one day, and during the day, they spend a lot of time alone in their different - you get to imagine what their fantasy lives are like.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
My love of movies started when I was 7 years old, living in a small town, going to the movies all the time, and finding the people in the movies more interesting than the people in my small town. Also, at that time, it wasn't that easy to find out about movies.
The comics of course, help the movies, because all of the comic fans want to see the movies. And the most amazing thing about it is these movies seem to appeal to young people, to old people, and to people all over the world. They're as popular in China and Latin America as they are here. That's really amazing and gratifying.
Tons of people want to see movies about women but they don't want to make them. I don't know why. I think that's insane because look at some of these big movies like Maleficent, they're huge. It's ridiculous. So, it is really hard but I'm determined to do something about that.
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