A Quote by Quentin Tarantino
There's another aspect about the Seventies. Blazing Saddles, as wonderful as it was, sort of hurt the Western. It made such fun of them, that you almost couldn't take them seriously from that point on. That's why only Westerns that had the stink of Watergate or Vietnam could be taken seriously. There were so few Westerns made since then, from the Eighties on, that the few directors who did were so pleased with themselves and so happy to have the opportunity that they got lost in visuals, they got lost in the vistas and the pretty scenery.
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There was that last blast of Westerns that came out in the Seventies, those Vietnam/Watergate Westerns where everything was about demystification. And I like that about those movies.
I decided to write Westerns because there was a terrific market for Westerns in the '50s. There were a lot of pulp magazines, like 'Dime Western' and '10 Story Western' that were still being published. The better ones paid two cents a word. And I thought, 'I like Westerns.'
Westerns are fun. I wish more of them would be made. When you're out there on a set, carrying a gun, riding a horse, you kind of get lost in that make believe world.
The wonderful thing about saints is that they were human. They lost their tempers, got hungry, scolded God, were egotistical or impatient in their turns, made mistakes and regretted them. Still they went on doggedly blundering toward heaven.
There is no other genre that deals with America better, in a subtextual way, than the Westerns being made in the different decades. The '50s Westerns very much put forth an Eisenhower idea of America, whereas the Westerns of the '70s were very cynical about America.
I actually don't like westerns much. I like good westerns, but it isn't my preferred genre. There are all kinds of westerns: acid westerns, '70s westerns, Nicholas Ray's neurotic westerns. The ones I tend to like are nutso westerns.
When I came in, Westerns were the big thing, so I did horse falls, transfers, bulldogs, big fights. That's where you could really shine if you were really good at it. But then all the Westerns stopped, and I was capable of doing car stunts, motorcycle stunts and high falls. I could do it all.
I love Hap and Leonard and plan to write more about them, but not exclusively about them. I have always worked in film, or since the eighties, but my screenplays - though I got paid and did screenplays for Ridley Scott and John Irvin and Mark Romanek - seldom got made.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
I've always been a fan of Westerns, but my favorite kind of Westerns mostly were Sam Peckinpah's Westerns, and they mainly took place in the West that was changing.
I had done some work when I was starting in with photography on westerns, and photographing them was the greatest pleasure I had. If I was ever qualified for anything, it would have had to do with making westerns. But as I started working on pictures with people like Katharine Hepburn, I got further away from the thing I really liked to do.
We are dealing with the best-educated generation in history. But they've got a brain dressed up with nowhere to go. Science is all metaphor. In the information age, you don't teach philosophy as they did after feudalism. You perform it. If Aristotle were alive today he'd have a talk show. If you don't like what you are doing, you can always pick up your needle and move to another groove. If you take the game of life seriously, if you take your nervous system seriously, if you take your sense organs seriously, if you take the energy process seriously, you must turn on, tune in, and drop out.
I lost a good friend a few years ago, and it happened quite suddenly. Any event like that leaves you with questions. Would a phone call have made a difference? Did the person know that you were there for them?
I ride really well and I shoot a gun really well. I love the genre. Once I did Westerns, I was hooked. I love them, but there's been very few of them made. I never wanted to play a guy who was acting like a cowboy. I wanted to play someone who had a real life, but was also trapped into situations.
I want to be taken seriously as the type of musician that plays stuff like an electric rake. I mean, how seriously do you take someone like Spike Jones? They take him pretty seriously - a really good musician who made a great contribution in terms of humor, which is part of what I try to do too.
I'm happy doing what I'm doing. I do think, though, there were great comic actors like Thora Hird and Max Wall who only got taken seriously when they did straight roles at the end of their careers.
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