A Quote by Quentin Tarantino
I won't even think about acting in a role where I didn't do a back story for a character.
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Even when I took up 'Drishyam,' I was not the lead character. I liked the role as the story was about my character and that was enough for me to take up the film.
I think what people love about the Steve Jobs story is not just the track record at Apple, but that comeback story, that he was thrown out of Apple, came back and built the company even greater. And that perseverance is so important in terms of entrepreneurship. And nobody is a better role model for that, for all entrepreneurs all over the world than Steve Jobs.
I think acting, oftentimes it's not about lines, it's about spaces in between lines and expressions on people's faces and their relationships. You can tell your own story, or a story that you're interested in, even if the lines don't necessarily point you in that direction.
He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence.
Nothing affects my acting. Acting is something I do with my soul so it embodies a lot of things. For me, I don't know about anyone else, acting is spiritual, so if I do not embody a character or a story or a script, it's going to be extremely difficult for me to be convincing and I don't like that because I am somewhat of a perfectionist
No matter who the character is and how big their role, that each person in the story is a human being and deserves respect. Even if they're in the story for ten seconds, I didn't want you to just see them as this entity passing through that's serving all of the other people.
History is basically really looking back and finding out what happened to an individual, a community, a family, a group in a certain event. And so that's why I go, "Wow. That's what acting really is. You find out the background, you get the joy of creating a fictional history of a fictional character and you get to tell a story." So I felt that acting is making history come alive and it became my mode of trying to figure out what this craft of acting is really all about.
When you go for something because you're curious about it, you get psyched up about the chance of getting into it. It's like an actor meets a role, and you slip into that body and see what happens, to experience certain conditions, to adopt a certain character. Even shooting is a study of the character. I think both the character and the actor, and eventually the filmmaker - myself - are finding a way to accept their environment and being accepted and feel comfortable of themselves.
I look for what responsibility the character has in telling the story. If you remove the role from the story, can you still tell the story properly? And if the answer is no, then I'm interested.
It's all about story and character with me, and I don't care if the job is on daytime or prime time or the web. Hey, give me a good character and someone to listen, and I'll do my acting on a street corner.
John Cassavetes' films have really altered the way I see film and acting and storytelling and emotion and love, so I see acting as this incredible revealing of human nature and this means of telling our story, sharing our voice with the world. That's what acting is for me. It allows for people to experience things through the character, through the story.
Be it a cameo, a character role or a lead role, I am happy that people are finally recognising my acting calibre and are casting me in their films.
One thing I've learned as an actor as well as a producer is to trust my own instinct. When I first started acting I would sometimes have ideas about certain things, whether it's a scene, or a character or certain dialogue, that wouldn't be followed. I was never in a position to have the power to press the matter. Sometimes it wasn't even about my character. But I'd watch the movie afterwards and think I was right.
My belief about performance capture is that it's a technology which allows actors to play extraordinary characters. But from an acting perspective, I've never drawn a distinction between playing a conventional, live action character and playing a role in a performance capture suit. And from a purely acting point-of-view, I don't believe there should be a special Oscar category because I think it sort of muddies the waters in a way.
I think it's really hard to make songs that pursue an agenda. You can kind of do it a little bit through a character, so the character gives voice to something or their story, the story of the character tells you something, but, for me anyway, it's really hard to write directly about politics.
That's what I love about acting. There's never a set role. You can be a firefighter, you can be a baseball player, you can be whatever you want in the acting world. I think I've found my calling.
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