A Quote by Quentin Tarantino

I'm not saying it's a bad thing to do, but when you try to deal with prescient themes in the present, that is what you're doing. — © Quentin Tarantino
I'm not saying it's a bad thing to do, but when you try to deal with prescient themes in the present, that is what you're doing.
I don't want to deal with big, grand themes in my stories; art has nothing to do with themes. When you deal with themes, you are not creating; you are lecturing.
The thing with 'Mortal Kombat' is we really deal with that: What is the right thing to do? When somebody does something bad, do you, then, in your mind, rectify the situation by doing something bad to them?
There are themes that somehow stir me and that I find very interesting. They're themes that deal with leadership, the nature of bravery and courage, and how to define those.
I think comedy and satire are the strongest ways to deal with very serious themes and very painful themes.
I'm only worried about what I'm doing or how I present music. I just try to do things I want to listen to, and I think that's what everybody else is try doing, too.
I'm not saying you did the wrong thing. I'm not even saying it wasn't something I'd thought of doing, myself. But even if it was the just thing to do, or the fitting thing, it still wasn't the right thing.
I think it's important to try to be present with whatever it is you're doing. And if you can't be present, take a break.
I don't make excuses if I play bad. I just try to find a way to deal with it. I learned that from my family, to deal with your problems and still be good at what you do.
My advice to everybody would be to go out as much as possible and deal with social inequality and environmental degradation because these issues are increasingly prescient.
While many of my musicals deal with big themes and ideas, I don't intentionally go looking to write shows like that. A story will interest me, and then somewhere along the way, I discover that hidden inside are these epic themes.
If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.
The reason I feel bad for Steve Kloves is because he doesn't enjoy cutting things out. He's not sitting there with scissors, just laughing maniacally, going, "Ahahaha." He doesn't like doing it. The stories mean so much to him. But it had to go. And David kept saying, "We're gonna try, we're gonna try, we're gonna try" all the way into the shoot until the very last days, when he said, "Sorry, it's just not gonna work."
I'm having this conversation with you now. I'm talking, but I'm thinking, feeling, smelling, and moving. Yet I'm concentrating on what you're saying. So that means there's more things going on in the body than just the present thing that the person's got you doing.
So much of a professional athlete's success depends upon not necessarily the play itself but how he deals with... always saying how you deal with good, is just as important as how you deal with bad.
I carry themes in my mind for years before I will try to compose them. I've got themes that will last me now 'til I die.
I don't believe in "writer's block". I try and deal with getting stuck by having more than one thing to work on at a time. And by knowing that even a hundred bad words that didn't exist before is forward progress.
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