A Quote by Quentin Tarantino
I was trying to do like a spaghetti western but using World War II iconography.
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I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
World War II and the ensuing Cold War compelled the United States to develop a sustained commitment to Western Europe and the Far East.
I always knew I wanted to do a Western. And trying to think of what that would be, I always figured that if I did a Western, it would have a lot of the aesthetics of Spaghetti Westerns, because I really like them.
It's important to remember that World War II was experienced very much as a continuity in that sense. Most of World War II in most of Europe wasn't a war; it was an occupation. The war was at the beginning and the end, except in Germany and the Soviet Union, and even there really only at the end. So the rest of time it's an occupation, which in some ways was experienced as an extension of the interwar period. World War II was simply an extreme form, in a whole new key, of the disruption of normal life that began in 1914.
Why should Americans care about the Nazi back story in World War II? If you don't have the Nazi back story in World War II, World War II is simply not comprehensible.
However, there is a fundamental difference between the issue related to Japan's history and our negotiations with China. What is it all about? The Japanese issue resulted from World War II and is stipulated in the international instruments on the outcomes of World War II, while our discussions on border issues with our Chinese counterparts have nothing to do with World War II or any other military conflicts. This is the first, or rather, I should say, the second point.
One began to hear it said that World War I was the chemists' war, World War II was the physicists' war, World War III (may it never come) will be the mathematicians' war.
World War II made war reputable because it was a just war. I wouldn't have missed it for anything. You know how many other just wars there have been? Not many. And the guys I served with became my brothers. If it weren't for World War II, I'd now be the garden editor of The Indianapolis Star. I wouldn't have moved away.
When I created the Grisha, it was important that they be powerful but that they kind of represent the Jewish brain trust that developed before World War II and after World War II in the U.S.
Kennedy was trying to keep us out of war. I was trying to help him keep us out of war. And General Curtis LeMay, whom I served under as a matter of fact in World War II, was saying "Let's go in, let's totally destroy Cuba."
I think in many ways, the Spanish Civil War was the first battle of World War II. After all, where else in the world at this point did you have Americans in uniform who were being bombed by Nazi planes four years before the U.S. entered World War II? Hitler and Mussolini jumped in on the side of Francisco Franco and his Spanish nationalists, sent them vast amounts of military aid, airplanes, tanks - and Mussolini sent 80,000 ground troops as well - because they wanted a sympathetic ally in power. So I think it really was the opening act of World War II.
Western Europe has been redefining the nation state since 1945 when it formed the European Union following World War II.
I'm a New Yorker, originally. I was raised in Jackson Heights. I went to P.S. 148 and then Newtown High School. If World War II didn't come, I'd still be there in school. World War II saved me.
We have huge holes in our education in the West. I think that we have little knowledge of Asian history. If you ask a well-educated, modern Western person about World War II, most will think that the theatre of war was only in Europe. But it's known that the Pacific War was going on concurrently, and we don't know anything about it.
A personal story of the horrors that Poles lived through during World War II. When God Looked the Other Way, above all else, explains why there is still a Poland. . . . One of the most remarkable World War II sagas I have ever read. It is history with a human face.
Americans, particularly after World War II, tended to romanticize war because in World War II our cause was the cause of humanity, and our soldiers brought home glory and victory, and thank God that they did. But it led us to romanticize it to some extent.
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