A Quote by Quentin Tarantino

Even Christoph Waltz's character, Colonel Landa in 'Inglourious Basterds', I never judged him. — © Quentin Tarantino
Even Christoph Waltz's character, Colonel Landa in 'Inglourious Basterds', I never judged him.
Since many people have been asking me to elaborate on why I think "Inglourious Basterds" is akin to Holocaust denial, I'll try to explain what I mean as succinctly as possible, by paraphrasing Roland Barthes: anything that makes Fascism unreal is wrong. For me, "Inglourious Basterds" makes the Holocaust harder, not easier to grasp -- as a historical reality, I mean, not as a movie convention. Insofar as it becomes a movie convention, it loses its historical reality.
When it came to a lot of these German actors with the English, they just couldn't do it. They couldn't get the poetry out of it. They couldn't own it and make it their own. And then Christoph [Waltz] came in, and I didn't know who Christoph was.
When I was filming the death scene [in Inglourious Basterds], and I'm killing somebody, I had to work myself up.
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment--rich in fantasy and blithely amoral.
I was massively jealous but also excited when Tarantino did Inglourious Basterds, I'm a huge guys on a mission fan. Those kind of movies.
For me, it was a lot of pressure to make another movie after 'Inglourious Basterds' because I didn't want to do something wrong. I wanted to have a beautiful project for another American movie.
Christoph Waltz, you know, blew up in Hollywood at a very old age. He won two Oscars back-to-back so I thought, 'You know what? Even if it happens when I'm 50, that's fine.' You know, I'll always keep going, always keep trying.
I cut the scene out, but there was a moment where Christoph Waltz plays the piano in 'Django [Unchained]' - Jamie [Foxx] is a magnificent piano-player but there's never a moment where Django plays the piano.
I watched war films so that I have an understanding of what has already been done and what I could do in 'Paltan.' I watched films like 'Atonement,' 'Schindler's List,' 'Inglourious Basterds,' 'The Reader,' 'Downfall,' 'Saving Private Ryan,' 'Katyn,' 'Enemy at the Gates' and many more. I hope it all reflects in my performance in the film.
The waltz can be sad and at the same time uplifting. You have to see life from both sides, and the waltz encapsulates that. If you're in my audience you give yourself to me and the waltz will grab you.
Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
I was writing a film criticism book on Sergio Corbucci, the director who did the original Django. So, I was kind of getting immersed in his world. Towards the end of the Inglourious Basterds press tour I was in Japan. Spaghetti Westerns are really popular there, so I picked up a bunch of soundtracks and spent my day off listening to all these scores. And all of a sudden the opening scene just came to me.
Christoph Waltz is stunning, an insanely nice guy. He is not only a ridiculously good actor, he’s also funny, helpful & a good colleague. I like his work ethic. I mean, the guy has won an Oscar and despite that he is receptive, open-minded & not the least bit snooty. Reese Witherspoon is the same. It may be the nicest cast that I have worked with yet.
When a character is born, he acquires at once such an independence, even of his own author, that he can be imagined by everybody even in many other situations where the author never dreamed of placing him; and so he acquires for himself a meaning which the author never thought of giving him.
With the waltz, especially the Viennese Waltz, it looks so beautiful and effortless and flows.
My small experience on 'Dancing with the Stars' allowed me to slowly appreciate the Waltz and Viennese Waltz, but to see it in Vienna is something much different.
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