A Quote by Quentin Tarantino

Everybody always talks about the science fiction genre, in particular, which always makes me think about people in spaceships. I can appreciate that, but that's not really where I think my dramatist aspect lies.
I think when science fiction is at its worst, it's just spaceships flying around shooting at each other. There has to be a lot more going on than that... science fiction is about exploring new worlds and new ideas, not about ray guns and action, necessarily.
One thing I'll say about Drake is that he never talks about me about going to any schools. I know people think that, but he has never done that. He just talks to me about how I'm dealing with life and things like that. He's like a big bro and I really appreciate that about him.
I do love science fiction, but it's not really a genre unto itself; it always seems to merge with another genre. With the few movies I've done, I've ended up playing with genre in some way or another, so any genre that's made to mix with others is like candy to me. It allows you to use big, mythic situations to talk about ordinary things.
You look at science fiction and look how often it talks about being alien, being alienated about the other. Look at the number of blue people - 'Avatar,' I'm looking at you. And it is now easier to find people of color in science-fiction literature and media, but the issues of representation are still really, really troubling.
The cool thing for me is, I go to a lot of conventions - a lot of science fiction conventions like Comic-Con - and there are always a lot of attendants of color. And I think some people believe that black people or people of color are not into science fiction or hero shows or genre shows.
One of the things I've always liked about science fiction is the way it makes you think about things, and look at things from angles you'd never have thought about before.
When I began to write fiction that I knew would be published as science fiction, [and] part of what I brought to it was the critical knowledge that science fiction was always about the period in which it was written.
In America, there are people who don't read science fiction but still think about tomorrow, so it's not only the force of science-fiction that makes you a tomorrow thinker.
I think it's horrible that we Turks are always seen under the aspect of Islam first. I am constantly asked about religion, and almost always with a negative undercurrent that makes me furious.
People always say there's no such thing as bad publicity, and you always think they're right, because it seems self-evident: nobody's going to buy a magazine that nobody ever talks about, so people should want to buy a magazine that everybody's talking about.
It had also been my belief since I started writing fiction that science fiction is never really about the future. When science fiction is old, you can only read it as being pretty much about the moment in which it was written. But it seemed to me that the toolkit that science fiction had given me when I started working had become the toolkit of a kind of literary naturalism that could be applied to an inherently incredible present.
The horror fan base is fantastic. It really has devoted fans, and I like that aspect of the genre. The people who are making it are always really wonderfully nerdy, creative people, which I always love.
Science fiction is a weird category, because it's the only area of fiction I can think of where the story is not of primary importance. Science fiction tends to be more about the science, or the invention of the fantasy world, or the political allegory. When I left science fiction, I said "They're more interested in planets, and I'm interested in people."
Comedy has always been my favourite genre, and I always wanted to be a part of a process which makes people happy. The genre has always been lucky for me.
I have always been intensely uncomfortable with the idea of a science fiction writer as prophet. Not that there haven't been science fiction writers who think of themselves as having some sort of prophetic role, but when I think of that, I always think of H.G. Wells - he would think of what was going to happen, and he would imagine how it would happen, and then he would create a fiction to illustrate the idea that he'd had. And no part of my process has ever resembled that at all.
In any genre you're working in, you can always find a way to tell a particular kind of story. I love fantasy; I love science fiction. I love all kinds of fiction, in fact.
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