A Quote by Quentin Tarantino

I don’t want to be an old-man filmmaker, making old-man movies, and I don’t want to be the one not to know when to leave the party. — © Quentin Tarantino
I don’t want to be an old-man filmmaker, making old-man movies, and I don’t want to be the one not to know when to leave the party.
The Little Boy and the Old Man Said the little boy, "Sometimes I drop my spoon." Said the old man, "I do that too." The little boy whispered, "I wet my pants." I do that too," laughed the little old man. Said the little boy, "I often cry." The old man nodded, "So do I." But worst of all," said the boy, "it seems Grown-ups don't pay attention to me." And he felt the warmth of a wrinkled old hand. I know what you mean," said the little old man.
When an old man and a young man work together, it can make an ugly sight or a pretty one, depending on who's in charge. If the young man's in charge or won't let the old man take over, the young man's brute strength becomes destructive and inefficient, and the old man's intelligence, out of frustration, grows cruel and inefficient. Sometimes the old man forgets that he is old and tries to compete with the young man's strength, and then it's a sad sight. Or the young man forgets that he is young and argues with the old man about how to do the work, and that's a sad sight, too.
I want to be around for a long time. I want this to be a career. I want to sing like Tony Bennett. I want to be an old man and I want to go through all the ups and downs and I wanna still love what I do.
Every man has to settle down eventually. You know why you gotta settle down eventually? Because you don't want to be the old guy in the club. You know what I'm talking about. Every club you go into, there's always some old guy. He ain't really old, just a little too old to be in the club.
What we want is muscles of iron and nerves of steel. We have wept long enough. No more weeping, but stand on your feet and be men. It is man-making theories that we want. It is man-making education all round that we want.
I don't believe the writer should know too much where he's going. If he does, he runs into old man blueprint?old man propaganda.
I'm an old-fashioned guy... I want to be an old man with a beer belly sitting on a porch, looking at a lake or something.
It's taken me to be an older guy, an old man, to have an old man's voice. Because I only liked old men's voices. As a kid, I didn't like pip-squeaked singers.
I just don't want to make the same old movies. I'm not interested in it. Directing's hard. It takes up a lot of your life, and I'm not that interested in making the same old film.
A poor old man held the winning ticket on a half million dollar lottery. Hearing the old man might be surprised at the shock, the local pastor was asked to break the news gradually. The pastor made a customary call, and while visiting casually asked the old man what he would do with a half million dollars if he had it. The old man replied, "why, I'd give half of it to you." Whereupon the pastor dropped dead.
The truth is, part of me is every age. I’m a three-year-old, I’m a five-year-old, I’m a thirty-seven-year-old, I’m a fifty-year-old. I’ve been through all of them, and I know what it’s like. I delight in being a child when it’s appropriate to be a child. I delight in being a wise old man when it’s appropriate to be a wise old man. Think of all I can be! I am every age, up to my own.
I used to be a good party boy. I'm old. I'm an old man. You pay the consequences. I'm just fine with a couple of drinks, no more than that.
All I want is the same opportunities as the filmmakers I grew up admiring. But you know, I've had lots of amazing opportunities to do the movies I wanted to do. If I could write my future, I'd want to keep making character-based films that can make use of my voice as a filmmaker.
'The Impossible Dream' is, in my opinion, one of the greatest songs ever written. Here is a man, an old man, a very old man full of daring, bravery, courage, determination, romanticism and dreams.
Though I am alive now, I do not believe an old man's pessimism is nessessarily truer than a young man's optimism simply because it comes after. There are things a young man knows that are true and are not yet in the old man's power to recollect. Spring has its sappy wisdom.
We are born one time only, we can never start a new life equipped with the experience we've gained from the previous one. We leave childhood without knowing what youth is, we marry without knowing what it is to be married, and even when we enter old age, we don't know what it is we're heading for: the old are innocent children innocent of thier old age. In that sense, man's world is the planet of inexperience.
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