A Quote by Quentin Tarantino

The way I write is really like putting one foot in front of the other. I really let the characters do most of the work, they start talking and they just lead the way. — © Quentin Tarantino
The way I write is really like putting one foot in front of the other. I really let the characters do most of the work, they start talking and they just lead the way.
I'm definitely not a model. I just get to, in the course of what I do, especially with acting and dressing up and getting into different characters and doing one-off campaigns with brands I really love, I get to be a model for a day. I walked on one catwalk once, and it was the most frightening thing, because you're just putting one foot in front of the other, but it was pretty mortifying.
You just have to start putting one foot in front of the other, making an effort to get healthy every day.
I really feel that actors should really know who they are as characters; they should really study their lines; they should be prepared; but once they come to set, for me the most exciting way to shoot a scene is to really find it, really kind of grind your way through it, until you feel like you have something that you can put together.
You just want to keep going, keep putting your best foot forward, keep putting one foot in front of the other.
Expression is never considered a given, and it is in fact maybe not what's most interesting about making art. Making art, since 1960 or something, is many things: it's a way of doing philosophy, it's a way of opening a dialogue, it's a way of putting a fact or a question out into the world, or a way of drawing people into new relationships, or a way of interrogating history. It's all these other sorts of strategies or techniques or processes that are really interesting and really valuable.
A simple compliment goes a really long way - for a guy to just come over and say, 'You have great hair' or 'I really like your dress,' and then just smile and walk away. That's a great move, because he's sort of putting himself out there by doing that, but it won't lead to any embarrassment if the girl isn't interested.
Those teams that really trust each other, really communicate with each other, really hold each other accountable and do it in a good way, in a respectful way, and just genuinely enjoy and like each other, I think that can be something that helps you separate when talent is equal.
I'm a very collaborative person, so that's not the way I work any way. Once VW got over the idea that I was going to blow their cars up, then we shot the thing really fast and it came out really good. Like I said, it won a bunch of awards and that really was the start of working in commercials.
I made the decision to keep putting one foot in front of the other, and looking back that was a really stupid decision
When I first started writing, there was no way I'd write a sex scene. That just seemed impossible. That's why in "Fight Club" all the sex happens off-screen. It's all just a noise on the other side of the wall or the ceiling. I just couldn't bring to write in a scene like that. So one of the challenges with "Choke" was I wanted to write sex scenes until I was really comfortable just writing them in a very mechanical way.
The way that I process and make writing work is I'm really telling true stories; I'm just putting them in a cape and putting an 'S' on its chest.
I don't come from a flashy film background. TV's been a great home for me, and being able to do that work kind of unnoticed, and not putting that out in the foreground was perfectly fine for me. I just continue to want to make sure that that's what it's about. I think when you start spinning out on what other people are doing and trying to chase something, you're really on a one-way ticket to things not working out the way you want them to.
No one really knows what I'm really like, and you won't unless you spend a day with me, or if you're my friend. No one ever knows what anyone is really like. Read all the interviews you want on them, it's just the media talking and you can't really get to know someone that way, obviously.
I get very invested in characters; it's the only way I find that I can write a book and really make it work.
I get very invested in characters, it's the only way I find that I can write a book and really make it work.
Sometimes it's a relief just to focus on putting one foot in front of the other.
This site uses cookies to ensure you get the best experience. More info...
Got it!