A Quote by Quentin Tarantino

One of the songs that stayed in my head that I really considered a lot was an old folk song called 'John Brown' - not the abolitionist John Brown, but the one that Bob Dylan has covered and sung before. It's about a boy coming home from the Civil War, or maybe World War I even, and about his Mother seeing him all destroyed.
Strangely enough, the legend of John Brown, who was clearly crazy, helped the abolitionist cause and is thought to have precipitated the American Civil War.
Did John Brown fail? John Brown began the war that ended American slavery and made this a free Republic.
My favorite Bob Dylan record is the very first one where he sings one Bob Dylan song and the rest of them are his interpretations of the Dust Bowl-era folk songs, or even going back as far as the mass influx of people coming into the U.S. during the gold rush. His interpretations of those songs are incredible.
John Brown was the abolitionist to end all abolitionists. People thought he was crazy. He was like John Coltrane playing free jazz, exhausting all possibilities in his approach to harmony and improvisation.
[On John Brown:] The poor wretch is hanged, but from his grave a root of bitterness will spring, the fruit of which at no distant day may be disunion and civil war.
What I'm doing is basically the same as Bob Dylan did with folk songs and Woody Guthrie songs, the same as folk music's always done. I'm not going to sing about ploughing, but I'll write a song that sounds like it should be about ploughing.
When I think about him, I think about him as John and John Wick. I think of John Wick being the assassin part of John. I would say that guy has strong will; never gives up; he's kind; and there's honor about him. He's also a man of strength. There are even some vulnerabilities to him. Most importantly, he's good at his job.
John Brown first swam into my vision in the 1960s when I was a political activist in the civil rights movement and the anti-war movement at Chapel Hill, where I went to university.
The hard part about writing about a guy like John Brown is that he was so serious, and his cause was so serious, that most of what's been written about him is really serious and, in my opinion, a little bit boring.
[John Brown's] zeal in the cause of freedom was infinitely superior to mine. Mine was as the taper light, his was as the burning sun... I could speak for the slave. John Brown could fight for the slave.
Secretary [John] Kerry has called Civil War [in Syria] an unbelievably small war that we're going to get involved with.
I went to live in Barcelona in 1975, when I was twenty. Even before I went there, I knew more about the Spanish Civil War than I did about the Irish Civil War. I liked Barcelona, and then I grew to like a place in the Catalan Pyrenees called the Pillars, especially an area between the village of Flavors and the high mountains around it.
From Matthew Brady and the Civil War through, say, Robert Capa in World War II to people like Malcolm Brown and Tim Page in Vietnam. There was, seems to me, a kind of war-is-hell photography where the photographer is actually filming from life.
Billy covered his head with his blanket. He always covered his head when his mother came to see him in the mental ward - always got much sicker until she went away. It wasn’t that she was ugly, or had bad breath or a bad personality. She was a perfectly nice, standard-issue, brown-haired, white woman with a high school education. She upset Billy simply by being his mother. She made him feel embarrassed and ungrateful and weak because she had gone through so much trouble to give him life, and to keep that life going, and Billy didn’t really like life at all.
I don't know if music has ever achieved anything past appealing to the people that it appeals to. If a song could stop a war, then Bob Marley and Bob Dylan songs would have stopped one or two.
We've actually bought quite a number of historical pieces. We are doing a piece on the abolitionists, Harper's Ferry and the abolitionist John Brown with Paul Giamatti.
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