A Quote by Quentin Tarantino

Movies are not about the weekend that they're released, and in the grand scheme of things, that's probably the most unimportant time of a film's life. — © Quentin Tarantino
Movies are not about the weekend that they're released, and in the grand scheme of things, that's probably the most unimportant time of a film's life.
A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity.
I love film and I love sitcoms, and I was one of those kids that would just go to the movies on the weekend and spend my whole weekend watching all of the movies.
Sports don't matter in the grand scheme of things. But in the moment, when things are just right, they're the most important thing in the world. That's what makes them so great.
When you think of things like The Sopranos, The Wire, Damages, they are beating film on a regular basis. Most films are terrible. It's only the 2% that are good. There's things you can do on TV which you can't do on film. There is something about those episodic, serialisations that are grand and operatic.
Nobody's life is perfect and in the grand scheme of things, life is short. I think it's so important to live life to its fullest and choose to smile.
I mean, in all fairness, in the grand scheme of things, if the greatest inconvenience of my life is that sometimes people want a photo or a chat, then that's extraordinarily lucky. It really bothers me when actors complain about it.
All this technology for connection and what we really only know more about is how anonymous we are in the grand scheme of things.
We become so caught up in the busyness of our lives. Were we to step back, however, and take a good look at what we’re doing, we may find that we have immersed ourselves in the “thick of thin things.” In other words, too often we spend most of our time taking care of the things which do not really matter much at all in the grand scheme of things, neglecting those more important causes.
So many things have to come together to get a creatively successful and financially successful film. Sometimes you'll have a movie that you're very proud of, and you think it transcended all of your expectations, but it doesn't come out at the right time. I have done movies that have never been released. That can be depressing.
Released in 1967, 'Farz' was the remake of a Telegu film that was turned down by most actors of the time - Manoj Kumar, Shashi Kapoor, Dharmendra... I was the needy and greedy one then and signed the film gladly.
The bigger problem still is that it determines in many ways what movies get made in the first place. Because as sources of finance are considering a project, they ask themselves, "Does this lend itself to a simplistic marketing approach which will guarantee a big opening weekend?" As a movie-goer, I think that's tragic, because when you look back at those movies that made us fall in love with movies in the first place, most of them were not high-concept, and most of them would not have "won their weekend."
Once I am done with the film, I don't worry about how many centres the film has released, what are the BO records, etc. As I have no knowledge of such things, feeling the pressure doesn't arise.
I think things just happen to people. That's healthier, I feel, than believing there's some grand scheme where your story is already inscribed in the Book of Life. Books get rewritten.
One Thanksgiving weekend, I had a lost weekend at a friend's place with 'Grand Theft Auto.'
'Jaws' has turned into one of those films that when you see it on TV, you turn it on, and you can't turn it off. So, in that regard, I've seen it a million times. It's the only film I'm aware of that could be released now for the first time and have the same impact that it did then. You can't say that about a lot of movies.
When I did 'The Sound of Music' and 'Mary Poppins' and 'The Americanization of Emily,' all three were in the can and had not yet been released. So I was driving around having a fine time learning about how to make movies and enjoying myself enormously, and then they were released, and it was quite an assault, in a way.
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