A Quote by Quentin Tarantino
Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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I shift between mediums very frequently. Instead of taking a break from writing, I just write in a different medium or in a different way or for a different purpose, so that I don't actually stop writing - I just go to something else. Like going from a big symphony to a piano piece is great and very refreshing, I find. And then going from that to a big concerto, and then having to go out and play.
So writing a song is much harder than doing a classical piece for me, because in a classical piece, I can just let the mood dictate what's going to happen.
Gradually I find that my whole soul is merging itself into this business of writing, and especially of writing poetry. I am going to try it; and am going to test, in the most rigid way I know, the awful question whether it is my vocation.
We are in a very strange way going back to the mentality of the time when Americans went in covered wagons. I imagine they had a piece of cloth, and the piece of furniture they carried with them meant to be a good piece of wood, and sturdy. We're going back to that.
If you decide you're going to do the piece, you're doing it because you love the writing.
When you're me, when you're R. Kelly, everybody wants a piece of you, and if you don't give 'em a piece they'll find a way to get a piece of you one way or the other.
So here I am, sending a two-ounce mouse down into a dungeon with a sewing needle to save a human princess, and I don't know how in the world he's going to do it. I have no idea. That was the first time it occurred to me that writing the story was roughly equivalent to Despereaux's descent into the dungeon. I was tremendously aware of that as I was writing. I thought, "I have to be brave or else I'm not going to be able to tell it." But it's the only way that I can write. If I know what's going to happen, I'm not interested in telling the story.
When things are going well, you do have the sense that what you’re writing is being fed to you in some way. Auden compared writing a poem to cleaning an old piece of slate until the letters appear. The only way you could reveal your god is perhaps under hypnosis. It’s sacred and it’s secret, even to the writer.
The question I asked when I woke up was not how am I going to live without legs - but how am I going to do all the things I want to do without legs? There was no doubt that I was going to do them, I was just curious to find out how - but I knew I was going to find a way.
To speak technically photography is the art of writing with light. But if I want to think about it more philosophically, I can say that photography is the art of writing with time. When you capture an image you capture not only a piece of space, you also capture a piece of time. So you have this piece of specific time in your square or rectangle. In that sense I find that photography has more to do with time than with light.
My grandma and my mom are not happy about the fact that I am still a bachelor. It's not on my mind that I have to find the person I'm going to spend the rest of my life with. It will happen the way it's going to happen.
Generally, I find that when you're writing and having fun with the writing, that energy and dynamism is going to come out in the text one way or another.
What I feel is there are certain demands that you have to satisfy in any piece of writing. When it's just for me, it's just for me, but if it's a piece for a particular publication, I know what they're going to ask for.
Once a piece of writing gets to a moment where it's not going to get much better than it already is, marinate it. If you still like the piece, send it out and see what others think. If not, it's time to put it away and forget about it for a while.
I think there's very many paths to a nomination, and they don't all necessarily go through the bloggers. I don't think we, as bloggers, are all important. I don't think that we can make or break a candidate. I think we are a component, we are a piece of a larger piece of a puzzle. And so, no campaign is going to be able to have it all. No campaign is going to have all the money it needs, or all the media it needs, or all the staffers it needs or all the blog attention it needs. They're going to have various pieces, and there's more than one way to get to the nomination.
I went to London to do the stuff. I was like "What am I going to do? What's going to happen?" But then once you start working, you forget all that and you start enjoying what you're doing. Once you enjoy the process, you know that people are going to do the same thing. If you don't enjoy it and just do it like a job, then it's going to be feel that way. That's my theory of doing a movie.
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