A Quote by Quentin Tarantino

I've always thought my soundtracks do pretty good, because they're basically professional equivalents of a mix tape I'd make for you at home. — © Quentin Tarantino
I've always thought my soundtracks do pretty good, because they're basically professional equivalents of a mix tape I'd make for you at home.
All I know is that when I mix to digital and when I mix to tape I compare them and the tape always wins out.
I've always thought I'd been pretty good with people, and I basically have spent a conflict-free life, you know?
I've been listening to Nicki Minaj since high school. Like, mix tape Nicki Minaj. Like, the mix tape, you know, 2006/2007. Huge fan of her.
I've featured in some soundtracks in the past, and I would love to do more. I love great soundtracks to movies. Quentin Tarantino always picks amazing soundtracks, so I would like to do something for him or write a song for him.
I made my first mix tape when I was 14. I used to play basketball and ride bikes, but I think I just latched onto music because I figured I could be really good at it on my own.
The number of times that anything is overdubbed on 'Frampton Comes Alive!'... the rule was, if it didn't make it to the tape, then we can redo it because it needs to be done. If it made it to the tape, and it sounds good, we leave it. So nothing was overdubbed on that album at all that wasn't absolutely necessary.
The times you lived through, the people you shared those times with — nothing brings it all to life like an old mix tape. It does a better job of storing up memories than actual brain tissue can do. Every mix tape tells a story. Put them together, and they can add up to the story of a life.
I love Mix Tape. It combines three great elements - magic, music and a natural way of performing. I know that every time you perform Mix Tape you will feel like you're presenting someone with a very special gift. I've never come across a routine so natural and so strong. Use this and you will be the wonder worker they talk about long after you have left.
All the dialogue on tape, and we'd play the tape in performance. Then I thought it'd be interesting if the actor's repeated what they heard on the tape, but at a slower speed, so we'd get a web of language.
Tonight, I feel like my whole body is made out of memories. I'm a mix-tape, a cassette that's been rewound so many times you can hear the fingerprints smudged on the tape.
I'm now a pretty good mix of my mother and my stepfather because I'm in general pretty mellow. I'm not hyper-emotional. But there's also this side of me - my mother was an artist and very funny and a dancer and very wild and into fashion. My stepfather traveled a lot, and I kind of took on a role of parenting my mother a lot of times, because she was pretty hard to handle. A bit of a pistol.
Acting is always something I thought I could do, and I thought I would be pretty good at it, but I thought that I missed the opportunity, that it was too late.
We heat our home with wood so the fireplace is always going and it's pretty cozy in here, which is good because we have long winters in Wisconsin.
I don't like to mix my personal and professional life. Both are different, and I don't mix it.
Even in the early '90s, I was already starting to mix professional actors with non-actors. I always enjoyed working with non-professionals, because their performances are very natural and unaffected.
I just did what I did in my era, basically because of my admiration for the guys who came before me. That's how I've always looked at it. I never thought of boxing like, I'm going to be the greatest fighter ever and make a lot of money. Instead, I thought I was going to win because I learned from the best. I carefully studied the videotapes of all the fighters from the past, dissected their styles, and entered the ring with their spirit.
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