A Quote by Rachel Cusk

There is always shame in the creation of an object for the public gaze. — © Rachel Cusk
There is always shame in the creation of an object for the public gaze.
Active creation is conceived as a transitive action in which there is always presupposed an object about which the agent is concerned; it is virtually but not formally transitive because it makes, not presupposes, an object.
And its object is Art not power, sub-creation not domination and tyrannous re-forming of Creation.
An object of art creates a public capable of finding pleasure in its beauty. Production, therefore, not only produces an object for the subject, but also a subject for the object.
An object dies when the gaze that lights on it has disappeared.
A picture should be a re-creation of an event rather than an illustration of an object; but there is no tension in the picture unless there is a struggle with the object.
The artist's talent sits uneasy as an object of public acclaim, having been so long an object of private despair.
Meditate. Look at the candle flame - or whatever object you have chosen to gaze upon - with intensity.
Shame has its place. Shame is what you do to a kid to stop them running on the road. And then you take the shame away, and immediately, they're back in the fold. You should never soak anybody in shame. It's the prolonged existence of shame that then flips out into destructive rage. We can't exist in that. It's like treacle.
Every move is a creation, Maintaining the delicate balance is a creation, The line is a creation, Survival is a creation, Freedom is a creation.
The failure to invest in our public transportation and public life, I think, is a scandal and a shame, and it should be a national embarrassment.
Creation, even when it is a mere outpouring from the heart, wishes to find a public. By definition, creation is sociable. Yet it can be satisfied with merely one single reader: an old friend, a lover.
I identify myself with the male gaze, I grew up with the male gaze, I've been excited by the male gaze. I'm a product of that culture.
There is always shame in the creation of an expressive work, whether it's a book or a clay pot. Every artist worries about how they will be seen by others through their work. When you create, you aspire to do justice to yourself, to remake yourself, and there is always the fear that you will expose the very thing that you hoped to transform.
Each living art object, taken out of its native habitat so we can conveniently gaze at it, is like an animal in a zoo. Something about it has died in the removal.
He who looks the higher is the more highly distinguished, and turning over the great book of nature (which is the proper object of philosophy) is the way to elevate one's gaze.
If man wishes to know anything about Creation (the time of Creation, the duration of Creation, the order of Creation, the methods of Creation, or anything else) his sole source of true information is that of divine revelation.
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