A Quote by Rachel House

In Maori culture there's a lot of humor and just as quickly we are able to express grief. — © Rachel House
In Maori culture there's a lot of humor and just as quickly we are able to express grief.
The Maori culture is different than our culture where we're most likely to introduce ourselves by email or fax and we conduct a lot of business in an impersonal way, whereas for Maori, the only way to do it is to make the pilgrimage and sit down face-to-face and have some tea.
I'm part Maori. My mum's Maori, and she raised me. And my grandma, she's Maori.
I've been fascinated with Maori culture since I was a kid.
I think humor is often a very powerful tool to be able to express ideas that are heavy.
I think what I was unconsciously expressing in 'Black Rainbow' was a very abstract and metaphorical grief, in the way I had suppressed my grief about my mother dying. In retrospect I realise I started writing 'Mandy' as a sort of antidote to that, to sort of express those emotions, to purge that grief.
When I found out more about the Maori culture, I fell in love with it, and with the people, too.
All those years I fell for the great palace lie that grief should be gotten over as quickly as possible and as privately. But, what I've discovered is that the lifelong fear of grief keeps us in a barren, isolated place, and that only grieving can heal grief. The passage of time will lessen the acuteness, but time alone, without the direct experience of grief, will not heal it.
Once you're comfortable with the way that you're dressing, you express yourself a lot more, and you're just able to have a lot more fun.
But you can’t get to any of these truths by sitting in a field smiling beatifically, avoiding your anger and damage and grief. Your anger and damage and grief are the way to the truth. We don’t have much truth to express unless we have gone into those rooms and closets and woods and abysses that we were told not go in to. When we have gone in and looked around for a long while, just breathing and finally taking it in – then we will be able to speak in our own voice and to stay in the present moment. And that moment is home.
We use up words like 'spiritual' so fast in this culture. Twenty years ago spiritual had a distinct meaning. But now there's a lot of jack-off thinkers who just love to talk about the spiritual. And there is a lot of bogus - is bogosity a word? It should be - a lot of bogosity in these spiritual seekers. So you have to find another way to express it. I just call it 'how I fit'.
I'm quite proud of growing up in New Zealand where, from quite early on in primary school, you're learning to count in Maori, Maori mythology and dances and colours and history, and I think that gives a child a really good grounding.
A film like 'Whale Rider' is equally truthful, perhaps more so, to the Maori experience; Maori people respond to 'Whale Rider' because it's a world that they understand.
Anyone should be able to express themselves in any context. Obviously, there are arguments against appropriation, but it's one thing when someone is doing something for satire or making fun of a culture, but if they respects the tenets of the culture and they want to be a part of that, what could be more beautiful than that?
People should be able to express their culture without getting into all that chauvinistic thing.
I've never not felt Maori, ever. And because of the era I grew up in, I was never not seen as that. I would walk down the street with Mum and Dad and people would say, 'Look, there's a little Maori girl.'
There is no cure for the social battles that we fight in our culture - and there's so much grief around race, gender, and so forth - until you eliminate "withdrawal" and "attack" and replace them with "acceptance" and "help." Once you do that and not just talk about it, these other issues will fall into place quickly. They will not fall into place at all unless it is done this way.
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