A Quote by Rachel House
When I went on to the team on 'Korero Mai,' I realized how much I didn't know and how much I wanted to know in terms of sound, lighting and editing which is a process you don't go through in fast turnaround TV.
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The hardest stories we tell are always about ourselves. How do you explain that you have been missing your mother for 20 years? I don't know how to explain that to you. I wasn't even sure I wanted to film that, because I don't know how I felt about it. I didn't want to put her through it, and I frankly wasn't ready. Because since I was 16, I just had created my own life for myself, you know? I left when I was 12. I'm 32. And I have gotten to know my mother more through editing her and looking and watching and editing her footage, you know.
I've been through so much in my life. I've seen so much. I know how fast things can change. I know someone can be here one minute and gone the next.
(He) had not realized how much he needed this sweet, friendly sound. How much he needed someone to settle in next to him. He didn't know that he needed to not be so solitary until at last he wasn't. So many needs in one old dog.
Going into editing when I got to New York was part of that. I guess I just kind of wanted to know as much as possible. But I have a real love of the whole process, from start to finish. So right now, I fit into the acting part of the process, but I wouldn't rule anything out. I'm enamored with how the whole thing works.
An education isn't how much you have committed to memory, or even how much you know. It's being able to differentiate between what you do know and what you don't. It's knowing where to go to find out what you need to know, and it's knowing how to use the information once you get it.
I really focus on process as much as anything else: process for how we evaluate players, process for how we make decisions, process even for how we hire people internally, process for how we go about integrating our scouting reports with guys watching tape in the office.
At the close of life the question will be not how much have you got, but how much have you given; not how much have you won, but how much have you done; not how much have you saved, but how much have you sacrificed; how much have you loved and served, not how much were you honored.
You do not know how much they mean to me, my friends, And how, how rare and strange it is, to find In a life composed so much, so much of odds and ends, (For indeed I do not love it ... you knew? you are not blind! How keen you are!) To find a friend who has these qualities, Who has, and gives Those qualities upon which friendship lives. How much it means that I say this to you- Without these friendships-life, what cauchemar!
We usually evaluate creative process in terms of how much feeling or thinking was behind the work or how well the work was done. Isn't there any other way of appreciating the process? What if the standard of excellence was how fully present the artist was during the process?
A lot of players know how to play the game, but they really don't know how to play the game, if you know what I mean. They can put the ball in the hoop, but I see things before they even happen. You know how a guy can make his team so much better? That's one thing I learned from watching Jordan.
I don't care how much you know, how many books you read, how you much you study and, you know, how educated you are, you're still going to struggle. Life is challenging.
In today's fast-changing world, it's not so much what you know anymore that counts, because often what you know is old. It is how fast you learn. That skill is priceless.
It'll be hard, but life moves fast-we'll see each other again. I know that. I can feel that. Just like I can feel how much you care for me and how much I love you
I wanted to know how much of conversion was forced - that is, forced in the sense that the Inquisition forced people to choose - forced Jews, let's say, and Muslims to choose conversion to Christianity or death. I wanted to see how much of conversion historically was forced in that way and how much of it was really a kind of persuasion.
The thing I've most realized is that when people come up to me and tell me how much my story means to them, how much it was inspiration for them to see me fight through and push through with my career, I realized love is real. And there's no greater feeling in this world, to give back and touch people.
My father showed me so much love. He showed my brother so much love. He just, he had a rough life. You know, he grew up in a boys home in the Bronx. He didn't really know his own family. So I couldn't hold it against him that he didn't know how to parent. He didn't know how to be the perfect husband. But he loved as much as he could.
