A Quote by Rachel Joyce
You got up, and you did something. And if trying to find a way when you don't even know you can get there isn't a small miracle; then I don't know what is.
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If you wake up one morning realising that you do not know anything, then you are awake. If you still think you know something, then you are still asleep. If you are still trying to know, you are still trying to control. If you are still trying to control then you still think something can 'go wrong'. If you still think something can go wrong then you are not in touch with the source. If you are not in touch with the source then you live in fear. You are living in the fear that you have created, and that you are trying to get away from.
Every ecosystem, even a small one, is sustainable because it has certain ensembles and conditions and influences that are unique to it. And the biological ensembles are almost certainly, even the most modest ones, in the thousands of species. We don't know what's involved in the models - not even the beginnings. And yet we're trying to make a sustainable world, which has to include the natural world. The human species is triumphant, but it's got to get a grip. It's got to come to understand what's happened, why we're this way and what we're doing.
I used to get stuck trying to find the first sentence of a story, then I realised that it was often because I didn't know what problem a character was facing in the story. As soon as I did, I could have the character trying to do something about it or have the problem whack him between the eyes.
I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.
People talk about the miracle of birth. No. There's the miracle of conception. I did IVF, but nothing happened. So I began to think of adoption, and then I got pregnant. It was definitely a miracle.
Even in the ambulance ride I was trying to say something, trying to say, like, 'I knew who did it, I knew what went on.' And then I think they were kind of thrown back by that. They were like, 'What? You know what went on? You know what happened?' And I was like, 'Yeah, I saw the guy.'
The key thing that I find that when you're kind of in boom times and you're hiring bunches, if you can hire, you know, always maintain very high standards and even if you, you know, can't find enough of, you know, what is typically called A players, then don't hire the people. All right? So, you know, use that as a way of standards.
You know what guys do? They stand up for people. You know why? Two reasons. It's right. And it feels good. Even if the person doesn't know what you did. Maybe especially then.
I think the more that I can find myself getting out of the way - like you said yourself - trying to get out of thinking too much, and sometimes something truly special can happen. That's the beautiful mystery of song writing - that you really don't know where these songs come from exactly, and you don't know how you came up with them - and god bless it that you should have the gift of channeling that.
Back then, as a teenager, I kept thinking, Why don't the adult around here just say something? Say it so they know we don't accept segregation? I knew then and I know now that, when it comes to justice, there is no easy way to get it. You can't sugarcoat it. You have to take a stand and say, 'This is not right.' And I did.
I know my game is about trying to get past players and I know that if a bad tackle is coming my way, I have to jump or push my body out in front, but this is football. If they try to foul and target me, then I'm doing something good.
All I really know in nonfiction is that when I come home, I've got all these notes and I'm trying to figure out what actually happened to me. I usually kind of know what happened, but as you work through the notes, you find that certain scenes write well and some don't even though they should. Those make a constellation of meaning that weirdly ends up telling you what you just went through. It's a slightly different process, but still there's mystery because when you're bearing down on the scenes, sometimes you find out they mean something different than what you thought.
I don't know if there is a 'lack' of good black men. But when you haven't taken the time to get to know yourself, be OK with you, and articulate what it is you want in a relationship, then you can't possibly find that person for you because you don't even know what you're looking for.
But giving up's easy. You know what's hard? To believe in your own worth, to know you've got something special in you even if nobody else can see it. Even when you can't.
Find what you love and find a way to make that part of your every day. You have to find the confidence to take certain risks. You're going to hear a lot of no's before you get to the yes'. It's important to have that confidence to overcome that and know it's part of trying to grow something big.
I still don't even know if the sheriff will let me see him. And suppose he did; what then? What do I say to him? Do I know what a man is? Do I know how a man is supposed to die? I'm still trying to find out how a man should live. Am I supposed to tell someone how to die who has never lived?
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