A Quote by Rachel Morrison
It's hard to go back to shooting contemporary apartment interiors after you shoot something like 'Mudbound.'
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Maybe once in a while, you know, after a hard day of shooting or something like that, I'd kick back.
Usually, I have in mind what I want to do. I shoot pretty economically, so I'm not shooting tons of stuff that I could change, all that much. I'll cut something or add a little something back, but not too much. This is maybe the producer part of me, but I'm always worried about the budget, so I shoot what I know I need to shoot for the film.
I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
I go to the Himalayas after every film. I go alone. I go to the interiors, to the villages. Being there itself is like meditation.
I never shoot my movies like I'm shooting 'a horror movie,' I shoot them like dramas. Dramas and then something horrible happens.
Just someone trying to shoot in 70mm deserves the nomination, and he[Quentin Tarantino] is shooting interiors, like tight interior shots, for that matter. Obviously [Quentin] is the director and demanding the shots, but all credit for the beauty of that film [Hateful Eight] goes to the director of photography.
Girls interested in modeling need to realize that its hard work. You can go to a shoot in the morning and not even start shooting until 10pm - and still be there at 5am the next day. Then if you still haven’t got the shot, you’ll have to go back the next day and start again!
I mean I feel like we've shot all these different movies. Like the first 2 weeks of shooting was all Steve Stills apartment and band rehearsal, you know? And so it was like this tiny little group of people and small set comparatively and it just looked like a Toronto apartment. And then we sort of kept ramping up further and further until now we're here in this giant like craziest set I've ever seen with LCD crazy lights that go....you know?
When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
'Mudbound,' you know, is about home. 'Mudbound' is about what it means to be a citizen, and 'Mudbound,' in fact, is set in this post-reconstruction era that we haven't really explored. You know, not since 'Sounder' have we even really explored that experience.
Do it. Before they send those mutts back or something. I don't want to die like Cato," he says. “Then you shoot me," I say furiously, shoving the weapons back at him. "You shoot me and go home and live with it!" And as I say it, I know death right here, right now would be the easier of the two.
Any man can shoot a gun, and with practice he can draw fast and shoot accurately, but that makes no difference. What counts is how you stand up when somebody is shooting back at you.
I enjoy shooting. Around where I live, it's something you do for entertainment once in a while, you go out and shoot targets.
A lot of directors, they don't go into the editing room during the shoot. When they come back, they've forgotten what they've shot. That's why their films come out a year after they shoot them.
I can't relate to the people who shoot wolves. I'm guessing the person who shot Wolf 06 wouldn't relate much to me either. You let people go out and shoot hundreds of wolves and watch violent movies, and then you're surprised when they go on a rampage shooting other humans. You can't separate violence like that.
Many people nowadays live in a series of interiors...disconnected from each other. On foot everything stays connected, for while walking one occupies the spaces between those interiors in the same way one occupies those interiors. One lives in the whole world rather than in interiors built up against it.
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