A Quote by Rachel Morrison
I think Marvel's incredibly supportive of young auteurs and really let them do their thing and support their vision. They give you a sandbox to play in, but it's a pretty massive one.
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You've heard this phrase and I don't think I understood it until I was making 'Ted Lasso,' this thing of 'the sandbox.' It's like we build the sandbox, we have the characters, we've got the action figures, and Season 2, we get to play with them and move them around.
I think people think of auteurs as being a dictator shouting over everyone about his vision. That's not the way I think of auteurs or the way I work.
I think it's a waste of time to worry about the motives of why people are supportive of things. I think we should look at the thing itself. And if they're supportive of something that's sexist or racist, then it's a bad thing, but it's not because they're supportive of it that it's a bad thing.
In a weird way, it’s kind of a relief to think, ‘Oh, I know I’m not that young sort of pretty thing anymore.’ It’s quite nice talking about what it was like to be the young pretty thing, rather than being it.
When you give young people an opportunity to use their time wisely, we support them, and when we do that, we support ourselves.
Every sport has its dangers. I've been pretty lucky, knock on wood. But I've had really confident, brave and smart horses growing up, which I think is important when you're young. You are working with massive animals over big fences, and especially at this top level, there is really no room for error.
I think that I'm a pretty great producer, but the vision behind Batman is Chris Nolan. I'm there to do my best to help execute that vision, and I think I do a really good job, but the vision is Chris Nolan.
I'm an owner that tends to absolutely be supportive of a coach and his vision if it's a real sharp and smart vision. I really believe in that.
I think Marvel is really good at managing, and the thing I love about working with them is that you never feel hindered.
I was never that famous, but I do think going to college and really getting away from the business and taking a true break is incredibly, incredibly important if you start acting at a young age.
I think me, as a leader, as a guy that's been cut, been humiliated, embarrassed, whatever you put on it, I think it's important just to embrace the guys around you, really support them, encourage them and then kinda give them that confidence. Let them know that you believe in them, and hopefully they'll get to believing in themselves.
As a person, to inspire some young girls and give them something to look at and give them something to play for, I think is such a great position to be in. I'm glad that I can follow all of the great Korean players' footsteps.
As a person, to inspire some young girls and give them something to look at and give them something to play for, I think is such a great position to be in. Im glad that I can follow all of the great Korean players footsteps.
It's rare that I'm working on a movie and that's the case. My goal is the same, ultimately at a certain point you give it to the director and their vision. You're there to support that vision.
I'm pretty actively involved with the military because I think they're incredible human beings. If I can give back to them for what they're doing for us, it's a good thing. And I think to have happy soldiers, you need to feed them well.
Playing is no challenge; every time that you get a role you get to go play with other people in the sandbox and so there is no challenge, real challenge. The challenge, the major challenge is getting the work, finding the sandbox.
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