A Quote by Rachel Morrison

I love faces that have freckles. I love faces that have wrinkles. For me, beauty is naturalism, I guess. — © Rachel Morrison
I love faces that have freckles. I love faces that have wrinkles. For me, beauty is naturalism, I guess.
One of the reasons why I love acting is my obsession with human emotion and faces and expressions - no surprise, then, that I usually end up painting faces. But I haven't done a self-portrait. I'd be too scared.
I love kids a lot. I love to spend time with them. They give me the energy to live, and I would love to bring a smile on their faces.
Why do I write today? The beauty of the terrible faces of our nonentities stirs me to it: colored women day workers- old and experienced- returning home at dusk, in cast off clothing faces like old Florentine oak.
Just as a human soul that faces great difficulties also faces great opportunities for spiritual growth, so a human society that faces destruction also faces the opportunity to enter a period of renaissance. I think that, barring an accident, the wish to survive will keep us from a nuclear war.
If we are to love our neighbors, before doing anything else we must see our neighbors. With our imagination as well as our eyes, that is to say like artists, we must see not just their faces but the life behind and within their faces. Here it is love that is the frame we see them in.
I said that when I looked at photographs of the firefighters who went into the Twin Towers, their faces looked to me like Irish faces. I hadn't yet learnt how careful outsiders have to be when talking about race in America, and I'd put my foot in it. Someone stood up and said aggressively, 'What do you mean by Irish faces?'
Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
'Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
I believe men's faces come in two kinds: Faces that need a blade, and faces that need an electric. I never was happy with an electric. I became pizzaneck.
I guess I happen to have one of those faces that just says everything I'm thinking. I guess it's a gift, but I see it as a potential liability. It keeps me honest.
I like that 'Broad City' exists, and I love being around at the same time as 'Key & Peele.' I love those guys - I just, I love their faces.
I cannot stress enough that the answer to life's questions is often in people's faces. Try putting your iPhones down once in a while, and look in people's faces. People's faces will tell you amazing things. Like if they are angry, or nauseous or asleep.
I had seen faces in photographs I might have found beautiful had I known even vaguely in what beauty was supposed to consist. And my father's face, on his death-bolster, had seemed to hint at some form of aesthetics relevant to man. But the faces of the living, all grimace and flush, can they be described as objects?
No surgical tweaks. No Botox either. I think it is terrible, these girls in their late 20s injecting their faces and lips. One told me, If I kill my muscles now, I'll never get wrinkles. Can you imagine?
Religion is a wizard, a sibyl . . . She faces the wreck of worlds, and prophesies restoration. She faces a sky blood-red with sunset colours that deepen into darkness, and prophesies dawn. She faces death, and prophesies life.
I love live music and I love to see people's faces when I'm performing.
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