A Quote by Rachel Morrison
Part of the reason why I love to operate is because I find that so much of what we do is instinctual. It's dancing with the actors and responding to their body language, and you feel what the right place for the camera is at any given moment.
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Documentaries are inherently instinctual; you're constantly moment to moment, determining what the best place for the camera is to tell the story, usually in service of natural lighting.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
It's about feeling alive in the moment because your adrenaline is going, your thinking about that present moment, you're not somewhere else, you're not thinking about what's going to happen 10 minutes from now, and that's the reason why I love fighting, it's when I'm in there. I feel free, I feel like there's no other place I want t be. I can't even think of anything beyond that second. That's why I'm drawn to the fight, because I love the presence of it, where it brings me mentally, it's the purest thing for me.
The characters I didn't have actors in mind for, that was the scary moment. Because in any production, until you find the right person, you're constantly judging your writing or what it is that isn't working here or not clicking here, because you have amazing actors coming to read for it, and if something's not clicking, it can't be them because they're amazing actors. You're sort of completely doubting yourself.
I think as film actors we are comfortable on stage because we know what the audience expects. The only tricky part is to remember the lines and that body language is key, which is something we tend to forget after years of acting in front of a camera.
That's why everybody loves to tune in and watch these fights, because at any given moment, any given fight, any given fighters, anything can happen. A fighter could win nine out of 10 times, but there's always that one time.
Our language - the way that we deal with most actors is we don't like to get very complicated because we don't want them to think too much because we find it takes them out of the moment.
I wanted really to make it moment to moment, partly because I'm an actor and that's how I operate - actors are all about creating the moment.
Everyone's scared. So scared they can't sleep sometimes. Or eat. Or keep their weight on." "Then why bother playing?" I asked. It was a whisper, this question. "Because. You love the game. You love the people you play with. You love winning, maybe. You love that one moment when you get it right . . . I dunno. Why do you play?" "Because," I whispered, "it's who I am." Sounds like a good reason to me.
Me, I still believe in paradise. But now at least I know its not some place you can look for because its not where you go. It’s how you feel for a moment in your life when you’re a part of something and if you find that moment, it lasts forever.
I ask my assistants if they're retarded all the time. When the camera is on you, of course, actors have the ability to make it real. For me, if I'm not talking, it is a problem. I have so much more respect for actors after being in front of the camera, and I realize that the hardest part is when you're not talking. Listening is harder than just acting. Listening is the hardest part.
Part of the reason why so many actors lose the plot when they go over to America is that they become part of an industry, so that's why they don't want to play weak, bad or vulnerable guys - because that's not sellable; that diminishes their profit margin.
I like to see people put themselves into films, which is part of the reason why I love Woody Allen films so much - I believe his actors' work. I have a feeling that many actors in his films are similar to their characters, and I like that.
I find theater terrifying. There are no do-overs, you know? It's all happening live. You need to be in it 100 percent at any given moment, and the audience is right there. I'm really intimidated by theater, but it is my first true love. I love theater. I love that anxiety.
That's why I'm happy and why I love this s**t because there's not a moment in the day that I don't feel like I can go in and create a monster record because I love making people feel good. That's my job.
The only reason why you should do a film is because it creatively carbonates you and gets you going. If you're doing it for any other reason, you've lost sight of why you're acting, in the first place.
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