A Quote by Rachel Morrison
I think there's this assumption that everybody would rather be a director, and I don't know that that's the case for me, so we'll see.
Related Quotes
Boredom or discontent is useful to me when I acknowledge it and see clearly my assumption that there's something else I would rather be doing.
I start out with the assumption that a lawyer in a criminal case is going to be incompetent - substantially so. I find my assumption to be rarely wrong. Yet society starts out with the very opposite assumption.
I'm gay. Megan's my girlfriend... These aren't secrets to people who know me. I don't feel like I've not lived my life. I think people have this assumption that if you're not talking about it, you must be hiding it, like it's this secret. That was never the case for me.
Boredom or discontent is useful to me when I acknowledge it and see clearly my assumption that there's something else I would rather be doing. In this way boredom can act as an invitation to freedom by opening me to new options and thoughts. For example, if I can't change the activity, can I look at it more honestly?
I had a really, really bad case of it. Everybody hears OCD and they think, 'Okay, you like to clean or be organized.' That's really not what it is, especially not for everybody. In my case, it was me being super self-conscious, to the point where it was debilitating.
Almost always when I told someone I was writing a book about "eating animals", they assumed, even without knowing anything about my views, that it was a case for vegetarianism. It's a telling assumption, one that implies not only that a thorough inquiry into animal agriculture would lead one away from eating meat, but that most people already know that to be the case.
I think the 'New York Times' reviews overall tend to overlook popular fiction, whether you're a man, woman, white, black, purple or pink. I think there are a lot of readers who would like to see reviews that belong in the range of commercial fiction rather than making the blanket assumption that all commercial fiction is unworthy.
I think when people see that you are shy, or even just calm, collected and reserved, they think you can be pushed around, made to do everything they want - but that's definitely not true of me. The people closest to me know that's not the case. They know I'm not a pushover.
The idea, as a director, is to be able to bring everybody on board and to inspire and give energy to everybody and to explain specific color, specific ambience. I need to be very precise, but I think I'm a better director when I'm more a channeler than a dictator.
Some artists I know, they would rather not see the audience or envision them. But for me, I'd rather see them. I feel like part of the reason I perform is to feel that connection. It's the reason I love it so much.
Everybody I see, that's the first thing they think of when they see me: 'WHUUUUUT?' or 'YEEEAAAHHH!' But they don't realize that everybody and their grandmother says that to me.
I don't think I'd be a good director because people would ask me, you know, "What is it? What's going on here? Where should I put the camera?" Or, "What's my motivation?" And I would say, "Do whatever you want!"
I know people who go back and check themselves, but it drives me crazy. Everybody wants to look in the mirror and see Cary Grant looking back at them, but that's just not the case.
I would much rather have somebody say, "You know what? I just didn't like what you were doing," then say, "They didn't know what they were doing." I know what I'm doing. If it's going to be bad, or if it's great, it's me, in either case.
Getting faculties to come to a consensus about something that they've never really thought about or had to worry about in their careers before can be a rather slow process and a long process, it certainly was the case at Harvard, and it's the case with most of the general education curricula that I know of, it takes four or five years just to get everybody on board with one idea.
You can make the assumption that most human drivers are not out to kill pedestrians. Well, maybe in some parts of Boston they are. But with a person at the wheel who you can see, you behave accordingly. With the robotic car, how do you know what assumption to make?
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