A Quote by Ragnar Kjartansson
I'm so used to being in a theater where there is always a narrative, but I'm more about the still moment, the painter inside me.
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Being in the moment is everything. So being in the moment for me is just letting the narrative play out, listening to the designers and giving them helpful feedback about what they're doing.
For me, art is always a kind of theater. When I started the spot paintings I made them as an endless series. But I was never serious about it being an endless series. It was just an implied endless series. The theater means you just have to make it look good for that moment in the spotlight.
For me, art is always a kind of theater. When I started the spot paintings, I made them as an endless series. But I was never serious about it being an endless series. It was just an implied endless series. The theater means you just have to make it look good for that moment in the spotlight.
Working on camera is a different ballgame in the sense that it's far more intimate work, but the basics and the foundations of being able to create something that isn't necessarily your own instincts - is a character that you have inside your head - whether you're talking about television or film or theater, that still has to be the grounding work.
American Odyssey' will be an amazing adventure inside the musical walls of our cities. It's theater, and radio has always been great theater to me.
We all have an ongoing narrative inside our heads, the narrative that is spoken aloud if a friend asks a question. That narrative feels deeply natural to me. We also hang on to scraps of dialogue. Our memories don’t usually serve us up whole scenes complete with dialogue. So I suppose I’m saying that I like to work from what a character is likely to remember, from a more interior place.
We are seeing, then, that our experience is altogether momentary. From one point of view, each moment is so elusive and so brief that we cannot even think about it before it has gone. From another point of view, this moment is always here, since we know no other moment than the present moment. It is always dying, always becoming past more rapidly than imagination can conceive. Yet at the same time it is always being born, always new, emerging just as rapidly from that complete unknown we call the future. Thinking about it almost makes you breathless.
I've always been interested in visual art and used to be much more into theater when I was younger, or more knowledgeable about what's going on. And literature has played a big part in my life.
To this day, she’s still sad. Because there’s not some finite amount of pain inside us. Our bodies and minds just keep manufacturing more of it. I’m just saying that I took the pain that was inside of her at that moment and made it my own. And it didn’t hurt me at all.
I come from the theater and I plan to always do theater. So I don't really see myself not being able to act even if people don't think I am sexy enough for film at 40, I'll still be acting.
I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas.
I was raised in the theater and I started acting when I was nine. To me, the idea of being an actor was about playing different characters and being a chameleon. That's why I was in the theater.
Now, we're used to thinking of communism as being once-upon-a-time-all-things-were-owned-in-common, maybe-someday-this-will-come-again. And people agree that there is a sort of epic narrative going on here. I think we should just throw this narrative out, it's irrelevant anyway, and who cares who owns things? I don't. You know, we all own the White House. So what? I still can't go in, right?
In that moment, there was no place for doubt. I was sitting with the supreme being. I had always sat beside her. She was inside of me.
Of the individual poems, some are more lyric and some are more descriptive or narrative. Each poem is fixed in a moment. All those moments written or read together take on the movement and architecture of a narrative.
You know at this point you have everything you need. It's available to you from the inside and you see you are supported in many ways. You realize that there is more to this dimension, to this reality, than you have seen before. You see you are being taken care of, you are being loved, you are being looked after. All that's needed is to go inside, become still and listen.
