A Quote by Raheem DeVaughn

I make grown-folks music, and I'm cool with that. I accept that. I try to be witty while also delivering a message. — © Raheem DeVaughn
I make grown-folks music, and I'm cool with that. I accept that. I try to be witty while also delivering a message.
Lots of folks still do watch TV, but I think understanding the future of politics means understanding where folks' attention is being paid and delivering your message and your ideas in that space.
Music becomes very personal. When you marry a message you want to send out into the world with good music, all of a sudden you have a very potent way of delivering your message.
The open letter has always been an interesting rhetorical strategy - a way of delivering a pointed message to a specific individual or group while also reaching a wide audience.
When you try to put everything into music, there's no room left to try to make you think we're cool. We know you think we're cool.
I don't think I'm a witty person. To me, a witty person is a funny person who is also a smart person. My friend David Rakoff, who died a few years ago, he was a witty person. Fran Lebowitz is a witty person. I don't think there are that many witty people around, so you tend to notice them when they do come around. I don't consider myself to be that.
When I make music, I always try to do more than make a song that makes people dance and have fun. I try to send a message or give a reason for people to discuss it further.
The music that I make isn't really like any of the music that I listen to. I think I listen to cool music, but I know that I don't make cool music - so it's kind of funny!
It was just cool to see my friends so inspired, and I'm by no means the biggest rapper in the world, but I'm on my way up. I feel like I'm going to keep going and delivering good music every time. It was cool to show people that it's real to do what you want to do.
I think my passion is misinterpreted as anger sometimes. And I don't think people are ready for the message that I'm delivering, and delivering with a sense of violent love.
Let us not try to understand music with our mind. Let us not even try to feel it with our heart. Let us simply and spontaneously allow the music-bird to fly in our heart-sky. While flying, it will unconditionally reveal to us what it has and what it is. What it has, is Immortality's message. What it is, is Eternity's passage.
Robert Nozick [a Havard philosopher, famous for his book "Anarchy, State and Utopia"] defined revenge as delivering the message that you know what someone has done, and it doesn't involve hurting them or doing anything to them beyond that. It's just delivering the message that their crime has been noted not just by its victims, because the victim might be dead, but by another who has a different moral view and will challenge the perpetrator's view.
[David] Bowie went on to make best-selling music - funk, dance music, electronic music, while also being influenced by cabaret and jazz.
Language can also be play and music and beauty and desire and grief and rage and truth without always having to be message-driven or purely functional. Moving away from "useful" doesn't mean it isn't necessary. You can still need poetry while also needing money or food or physical health.
I don't believe in delivering four times a year and then also delivering things that are not season appropriate.
I like delivering a message, but what I find interesting is providing those details in a different context. Then the readers can make up their minds what it means.
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
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