A Quote by Rain Dove

I love high fashion. I want to do it, but in order to be able to make a change, you have to be able to talk to the masses, not the 1 percent. — © Rain Dove
I love high fashion. I want to do it, but in order to be able to make a change, you have to be able to talk to the masses, not the 1 percent.
I know what I am able and not able to do. Fashion? OK. Fashion... clothes in theatre, in an opera, in a concert - all that I love. To make a movie myself... no!
In order to practice dialogue, you need to be able to set aside your assumptions and try to listen more than you want to talk. It's not always politically correct to be able to do that, but it can give you a better sense of the reality.
I'm not here to take damage. I don't want to not be able to talk. Every single time I fight, I know that... this could be the last time that you're able to do this, the last time you're able to talk.
Corporations have steered the industry into what it wants, and a lot of times they will make artists record what it wants or to make songs talk to who they want to talk to. But sometimes the heart and the head have to be able to talk and deal with a situation that's evident.
I don't want to fight at home. I want to be able to talk; I want to be able to rationally discuss things.
We should be able to have a conversation about immigration; we should be able to have a conversation about what skills we want to have in the U.K. and whether we need to go out of the U.K. in order to get them to boost our economy, and I don't think we should have a situation where we can't talk about it.
My goal is to be able to provide for myself and not have to worry about the daily expenses. I do want to be able to benefit from my work and make a good living, but I love it so much that I would do it for free.
In this speedy world of ours when facts are multiplying rapidly and giant rearrangements are happening all around us, it seems dangerous to be made nervous by the new - to want what we can never have, to want things not to be rearranged. It would be better to be able to take the leap, which is to be able not only to live with change and newness, but even to help make it.
To hear people talk, you would think no one ever did anything but love each other. But when you look for it, when you search out this love everyone is always talking about, it is nowhere to be found; and when someone looks for love from you, you find you are not able to give it, you are not able to hold the trust and dreams they want you to hold, any more than you could cradle water in your arms.
I don't want our relationship to end like this. You're one of the very few friends I have, and it hurts not being able to see you. When am I going to be able to talk to you? I want you to tell me that much, at least.
I want a different world. One where I don't wake up thinking I'm so lucky to be able to feed my daughter, and able to give people a clean drink of water. I don't want images of starving babies at the breast in my mind. I want that to change. And if I want that, I had better do something about it.
I started on a very high note and I was alwasy able to choose. I want to be able to do that until my last breath. And to do that, you have to have money.
One doesn't want fashion to look ridiculous, silly, or out of step with the times - but you do want designers that make you think, that make you look at fashion differently. That's how fashion changes. If it doesn't change, it's not looking forward. And that's important to me.
The cord-cutting generation hates cable TV 'cause they think they're corporations and they rip people off and they make you buy a bunch of channels you never watch in order to get the channels that you do watch. They've always said, "We want to be a la cart. We want to be able to cord-cut. We want to be able to watch what we want." So it's now evolving where if they only want to watch HBO they can but they have to pay for it. If they only want to watch Cinemax, they can, but have to pay for it.
One of the reasons why I love to do Shakespeare is that this great artist was able to talk to a wide variety of audiences. He could do the bawdy plays and the humor and the clowns-as you know, because you're a wonderful Stephano-that speaks to the populace, the masses, the groundlings, whatever.
Most people don't want to change. They're comfortable and set in their ways. But in order to change, you have to be able to agitate people at times. And I think that's something that's very necessary for us to improve as a country.
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