A Quote by Rain Dove

I'm more comfortable modelling as a man because I don't get any criticism. — © Rain Dove
I'm more comfortable modelling as a man because I don't get any criticism.
Was any criticism of Obama permitted? It was not. We can't criticize the president of the United States. Why? Because he's African-American. And any criticism is said to be racist. And so we have more racists in America today than we've ever had by definition of criticizing the president.
I studied acting throughout high school, then modelling took over because it brought more opportunity. When I quit modelling, coming back to Vancouver, I registered at the University of Victoria.
The man without a chin, no stamina, dead man, broken man, whatever. On your way to the top, you always get some criticism. Criticism is a great motivation. Failure is not an option to me.
I feel that modelling has groomed my personality and made me a confident person, but even today, when I go on the ramp, I get nervous. I am more comfortable being in front of the camera than walking on the ramp.
For me, modelling has been an advantage because if I hadn't been modelling, I would never have been spotted as an actress. I didn't have any intention of becoming an actress.
If I was black or Hispanic, I wouldn't get any criticism. Because I'm white, people expect so much more out of me. That's a little unfair, but life isn't fair.
I became an actress way into my 30s because I thought that I had to find my own way, and that's why I worked so much in modelling, until I realised that the differences between acting and modelling weren't that great. I always say that modelling is a little bit like being a silent actress.
If you're not comfortable with a strong woman you're not comfortable with your own feminine instincts. You're not comfortable, period. You're going to be threatened by everything that's not exactly like you are ... and that is the measure any man.
I started modelling from the age of 16, and within three years, I was bored and decided to shift to films. But I love modelling because it gave me independence.
I'm vulnerable to criticism. Any artist is, because you work alone in your studio and, until recently, critics were the only way you'd get any feedback.
I'm probably more personal when I'm acting than at any other time. More open, more direct. Because it allows me to be something that I can't always feel comfortable with when I'm living my own life, you know? Because it's make-believe.
I love the criticism because if there was no criticism then what can you work on and what can you get better at?
I don't really know how to do anything else except music. But I do. I've never felt more comfortable doing it. When I was put into arenas and stadiums when I was 27, I always thought somebody was going to say, 'No, they're not here for you.' You don't quite believe that they actually like you, because it's an extreme change in your life. Which is insane really, because they bought the ticket. So you start feeling more comfortable in your skin the more you do something, or the older you get.
I've always been more comfortable making my decisions from the subconscious level, or more emotionally, because I find it is more truthful to me; Intellectually, I don't think like that because I get uncomfortable.
I am thrilled to be modelling the debut collection of Always Aliza. Janet Reger was such an iconic brand throughout my modelling career, and it feels great to now be modelling her daughter's range for JD Williams almost forty years on.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
This site uses cookies to ensure you get the best experience. More info...
Got it!