A Quote by Rain Dove

When I first started out modelling, I was binding my chest at gigs to make sure my physique was able to be 'passable' as male. But now, I never bind. It's highly unsafe and unhealthy.
If money is the bond binding me to human life, binding society to me, binding me and nature and man, is not money the bond of all bonds? Can it not dissolve and bind all ties? Is it not, therefore, the universal agent of separation?
I ended up in Colorado working in wilderness fire prevention. My job was to run around with a chainsaw and cut down trees during a blaze. It was really fun. When I first got out there, that's when I realized how passable of a male I could be.
I started event managing as my first career which I started in 1989, and that was the first year when I started modelling as well, so every time I start something new it is because of an interest that I have and then that interest becomes sustainable and doable.
When I got started in New York, it wasn't like it is now. If you were different from Miles and Dizzy, it was very difficult to make gigs and make money with your own style.
It was 2002, we all got guitars for Christmas and started playing in my garage that summer, rehearsed there and in a warehouse for a bit for about a year. We did our first gig in June 2003 and we played a few gigs in and around Sheffield for a bit then started doing gigs outside of Sheffield about this time last year, recording demos while all this was going on.
I started my modelling career by sending my pictures to American Apparel and eventually meeting my friend Petra Collins, who started shooting me for magazines around New York. I ended up signing a modelling contract with Wilhelmina Models a couple of years later.
Guitar gigs were everywhere in the '50s, and I started diddling around so I could keep working. Playing honky-tonk, simple stuff. I took a few gigs with an organ band that put me out front.
I am thrilled to be modelling the debut collection of Always Aliza. Janet Reger was such an iconic brand throughout my modelling career, and it feels great to now be modelling her daughter's range for JD Williams almost forty years on.
I formed a sketch troupe with two friends, started doing gigs, and dropped out of school shortly after to pursue it full time! Now it sort of has to work out because I have zero other qualifications.
The beauty of Netflix is that you can figure out a good part of the season before you get started. You're never in the hole of, "Oh, we've already released the first four episodes, and now we gotta make the finale, and we've already promised this."
I started modelling from the age of 16, and within three years, I was bored and decided to shift to films. But I love modelling because it gave me independence.
When I was 23, basically I stopped modelling and started going to school, and was able to study with wonderful teachers.
Since I started CrossFit, I've read and heard about the critics talk about how unsafe it is, and my only response to that is any form of exercise can be unsafe if you don't have the proper coaching, education and guidance.
It is a transition, from modelling to singing, but for me it's a natural progression. The modelling was something I did to travel the world and make some money and end up doing what I want to do. It was a way for me to go gather the experience to write an album and now sing about it.
Before a man can bind the enemy, he must know there is nothing binding him.
When you make a film, you sign a contract with somebody, and it's not only legally binding but morally binding. You agree to give this man a certain number of weeks of your life, and you just go for it as much as possible. Because, whatever happens, the film is going to come out, so you might as well try very hard to make it a good one.
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