A Quote by Rainer Werner Fassbinder

The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
Myths are the prototype for all stories. When we write a story on our own it can't help but link up with all sorts of myths. Myths are like a reservoir containing every story there is.
I think of evolution as a myth, like the Norse myths, the Greek myths - anybody's myths. But it was created for a rational age.
Sick in my soul I tried to face the ordeal of seeking forgiveness. From whom? What God, what Christ? They were myths I once believed and now they were beliefs I felt were myths.
Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.
Thus science must begin with myths, and with the criticism of myths; neither with the collection of observations, nor with the invention of experiments, but with the critical discussion of myths, and of magical techniques and practices.
All my stories are like the Greek and Roman myths, and the Egyptian myths, and the Old and New Testament.
I'm always interested in debunking myths if they are untrue. But it's also important to identify myths and how they function, what value they may have.
Songs are like myths. Myths are useful because they allow you to cast yourself and your life and your own experience. And for some people, 'Fire and Rain' speaks to them in that way.
"The myths," says Horace in his Ars Poetica, "have been invented by wise men to strengthen the laws and teach moral truths." While Horace endeavored to make clear the very spirit and essence of the ancient myths, Euhemerus pretended, on the contrary, that "myths were the legendary history of kings and heroes, transformed into gods by the admiration of the nations." It is the latter method which was inferentially followed by Christians when they agreed upon the acceptation of euhemerized patriarchs, and mistook them for men who had really lived.
I wish, to be honest, that there were more myths about me. I wish I was more of a mythical person, and that then I'd have myths to dispel.
We make up any excuse to preserve myths about people we love, but the reverse is also true; if we dislike an individual we adamantly resist changing our opinion, even when somebody offers proof of his decency, because it's vital to have myths about both the gods and devils in our lives.
What is becoming more interesting than the myths themselves has been the study of how the myths were constructed from sparse or unpromising facts indeed, sometimes from no facts in a kind of mute conspiracy of longing, very rarely under anybody's conscious control.
It's not about superheroes. This is the method of universal storytelling that all people have... To me, they're the same as the Greek myths or the Roman myths or religious figures of every religion. These are common characters that we use to express stories about being a better person or what you would do when faced with various things.
The more real things get, the more like myths they become.
It's only recently that I've come to understand that writers are not marginal to our society, that they, in fact, do all our thinking for us, that we are writing myths and our myths are believed, and that old myths are believed until someone writes a new one.
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