A Quote by Rainer Werner Fassbinder
People often criticize my films for being pessimistic; there are certainly many reasons for being pessimistic but I don’t see my films that way. They’re founded in the belief that revolution doesn’t belong on the cinema screen but outside in the world. Never mind if a film ends pessimistically but exposes certain mechanisms clearly enough to show people how they work and the ultimate effect is not pessimistic. My goal is to reveal such mechanisms in a way that makes people realize the necessity of changing their own reality.
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I laughed. “You’re too young to be so … pessimistic,” I said, using the English word. “Pessi-what?” “Pessimistic. It means looking only at the dark side of things.” “Pessimistic … pessimistic …” She repeated the English to herself over and over, and then she looked up at me with a fierce glare. “I’m only sixteen,” she said, “and I don’t know much about the world, but I do know one thing for sure. If I’m pessimistic, then the adults in this world who are not pessimistic are a bunch of idiots.
Nothing makes me more pessimistic than the obligation not to be pessimistic.
I am pessimistic, I think that's the best way to be, because if you're always expecting the best - the best doesn't always happen. Nine times out of 10 it doesn't. I'm surprised when things go smoothly. I don't know what's wrong with being pessimistic - unless you are such a pessimist that you don't do anything.
It's easy to be pessimistic. Nobody needs to be taught how. You don't need to buy a book on it. You don't need to go to classes to learn how to be pessimistic. But you do read books on how to think positively, and people who write them become very rich because it takes effort.
I am sort of pessimistic in that way where I often think the worst of people.
I think people in Europe are generally pessimistic about the future. They have low expectations; they're not working hard to change things. When you're a slacker with a pessimistic view of the future, you're likely to meet those expectations.
I'm not pessimistic. It is the world that is terrible. How can we be optimistic in the face of a planet where people live so badly, nature is being destroyed and the dominant empire is money?
I have pessimistic moments when I think I should go on a diet because people are paying money to see movies with exceptional-looking actresses. But being in college has helped me realize that the best thing I can do is to feel good about myself and forget about other people's standards.
Negative and pessimistic views of technology have always existed. I can just imagine some pessimistic Sumerian in 3500 B.C. screaming about the evils of the wheel.
Snowpiercer has both [optimistic and pessimistic]. It was essentially optimistic. The most pessimistic was my part, because of his knowledge. He knows how it started. The status quo, he knows, has to be maintained, otherwise there is no chance. He knows that this revolution is completely understandable and is also commendable. He also knows the negatives. In the end, that's not a very positive position to be in.
When asked if I am pessimistic or optimistic about the future, my answer is always the same: If you look at the science about what is happening on earth and aren’t pessimistic, you don’t understand data. But if you meet the people who are working to restore this earth and the lives of the poor, and you aren’t optimistic, you haven’t got a pulse.
I don't want to be a grumpy old man or too pessimistic, because if I have a chance, I would prefer to watch a film in the cinema with an audience on a big screen instead of watching it on a cell phone. It's a very different experience, but somehow I think this form will have its own future and life.
When asked if I am pessimistic or optimistic about the future, my answer is always the same: If you look at the science about what is happening on Earth and aren't pessimistic, you don't understand the data.
Well, I think by and large, certainly in terms of cinema, American culture dominates our cinema, mainly in the films that are shown in the multiplexes but also in the way that it has a magnetic effect on British films.
John von Neumann draws attention to what seemed to him a contrast. He remarked that for simple mechanisms, it is often easier to describe how they work than what they do, while for more complicated mechanisms, it is usually the other way around.
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
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