A Quote by Rajesh Roshan
I remember when the great composer Madan Mohan had suddenly passed away, the producer-director H.S. Rawail had approached me to complete three of the pending songs in the Rishi Kapoor-Ranjeeta starrer 'Laila Majnu.' I refused saying I am not worthy of sharing a soundtrack with a genius like Madan Mohan saab.
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My childhood was full of Salil Chowdhary, R.D. Burman and Madan Mohan sahab. My father used to play with them and I used to play my guitar on their notations.
When I worked as an assistant director in 2007, Indraganti Mohan Krishna offered me a lead role. Now, the same director has made me a villain in 'Gentleman.'
I thoroughly enjoyed shooting for 'Velaikkaran,' and I made a great friend in Sivakarthikeyan during the process. Also, it was wonderful working with director Mohan Raja. I have not seen a director who takes so much effort to get things the best way possible.
I started my first film, 'Duniya Meri Jeb Main,' with my childhood friends, Shashi and Rishi Kapoor. My brother became the producer. It was nice of Rishi to support my brother by not charging us a single penny.
My grandmother Shahmshad Begum was an accomplished classical singer. And I'd often urge her to teach me. She would demand that I sit and practice singing with her, which I never did. But I finally did sing in Mohan Kumar Saab's 'Aman.'
Hong Kong people, they treat me more like a director, like a producer, like a filmmaker. If they recognize me, they treat me as a producer more than a star. And also, I make one movie in three years. I think they already forget who I am, because I've been away too long!
People have often asked me to do a remake of Awara' with Rishi Kapoor and Ranbir Kapoor. When I took the idea few steps forward, we all got scared. Where will we get another Prithviraj Kapoor and Raj Kappor? Where will I get composers like Shankar-Jaikishen?
I remember, as a kid, riding in the back of my dad's old Saab 95 in Denmark. We were on the highway, and suddenly this silver Maserati Bora came upon us, then passed. At the time, to me, this car looked like a spaceship.
Mohan No Masalo' is a play very dear to me.
Mohan Babu garu is one great actor who has withstood so many obstacles over the last 42 years.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
Ram Mohan Roy would have been a greater reformer and Lokmanya Tilak a greater scholar if they had not to start with the handicap of having to think in English and transmit their thoughts chiefly in English.
I had a few brushes with death, where I nearly chose to go. The final one in 1996 did it for me. I suddenly had that feeling that I wasn't indestructible. There was no big white light experience, I just felt this complete blackness and a huge voice inside me saying, 'This is not right.'
While I was sceptical about films like 'Chal Mohan Ranga' and 'Srinivasa Kalyanam,' I expected 'Lie' to be a success.
In fact, all the Mohan sisters are very inclined when it comes to cosmetics.
I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. I already knew what I was going to sing.
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