A Quote by Rajesh Roshan
New writers don't throw tantrums, they have time. I can make them work on one song for a week.
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My appeal to the composers, whoever touches an old classic, will only be this much: take it up only if you can express it your way, too; work hard with the writers; make them see your new vision for the song; change the lyrics, yet, keep the soul of the original song intact.
I'm a very soft-spoken person. I don't throw furniture. I don't throw tantrums.
I am not like other heroines who throw tantrums or make a fuss about the kissing or bikini act.
Temper tantrums, however fun they may be to throw, rarely solve whatever problem is causing them.
Writers write for one reason: to create an emotion in the reader, to reach across and make them feel something. You want a reaction. Yeah, it's nicer when the reaction is to throw flowers than it is to throw brickbats, but you have to accept both equally.
I've still got a lot of tantrums to throw.
You know Seth and Evan, they were lead writers for 'Pineapple Express', and they are great at mixing things up. Taking different genres and mish-mashing them up to create something dynamically new. They'll throw comedy at you, but with a dash of horror and fright that is supposed to make you shocked and scared.
I don't know whether they will give me a project just because I am cooperative and behave nicely, but it really helps. I never demand for anything or never throw tantrums at work.
I could always throw stuff, starting with tantrums.
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
Well, to aspiring writers, I would tell them that we live in a wonderful time where you're able to make your work visible, easily.
When I originally wrote "Jealousy," it was more like an exercise to try to write a girl-group kind of pop song. It was really contrary to most of the material I'd ever written. I didn't pay much attention to the song after I'd recorded it. I didn't really perform it at all the last 20 years. When it came time to make the new record, I decided to make peace with the song and have fun with it.
One thing I always really enjoyed about Quincy Jones' production technique was that there were so many layers to every song. Like, one week you'd hear a new trumpet-line, then the next week you'd hear - be hearing a new guitar-line.
When it comes to song creation, I throw in my ideas and have it discussed with the producer. The song gets its own characteristic as new ideas are incorporated.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
When Fashion Week ends, I miss the shows and the shot of adrenaline that comes with them. Each day is a new show, a new fitting, and you make new friends. Every season you get to know the other girls a little better.
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