A Quote by Rajiv Menon

It is how you approach the role given to you, and how you relate to that character and then how you adapt and gel into that role which makes you a good actor. — © Rajiv Menon
It is how you approach the role given to you, and how you relate to that character and then how you adapt and gel into that role which makes you a good actor.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
I judge my film choices based on the director, and then I see how much the story has affected me when I read it or when I hear it in the narration. Then comes how important my role is in it, but primarily director, script, and then role.
TV and film both attract me equally. In both, you do search for a role that would be enjoyable to do, that has a great storyline and then, secondly, you look at the cast and the crew - are they respectable? How I look at it is my character - has the character got enough substance? It can't just be a one faced character, which is there to fill a gap. He has to have a purpose, so if it ticks all of those boxes then generally it's a good choice.
'Andhadhun' is the most challenging film and character. For playing the role, first and foremost I had to learn how to play the piano and then how to emulate gestures of a blind pianist.
Some like to start from the inside and then go to the outside. I'm the other type of actor. First, I have to know how my character looks, how he walks, how he drives, how he eats.
I've always like sort of, as an actor, I'm drawn to exploring how we are as human beings in given situations and how we act and how we react and what makes us tick.
In my journey, I got amazing characters to play which were as interesting as a lead role. In 'Commando,' my role was so good. I feel no actor have rejected that kind of a role.
Now all the myths that you have heard and that resonate with you, those are the elements from round about that you are building into a form in your life. The thing worth considering is how they relate to each other in your context, not how they relate to something out there-how they were relevant on the North American prairies or in the Asian jungles hundreds of years agon, but how they are relevant now-unless by contemplating their former meaning you can begin to amplify your own understanding of the role they play in your life.
I had to learn from an early age to be observant of how to fit in right away and how to make a transition a lot more smoothly by adjusting to a role or filling a role that a team needed.
I want people with epilepsy to know that there are ways in which they can play a role in their own recovery. It's all in how they approach what is happening and how they can use that as a catalyst for their own growth. If there's one thing that I've learned, it's that people are willing to embrace you if you share your story.
I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
When I started my career on TV, I never knew how my role or character was going to shape up or turn out to be. It was a challenging role for me and I learnt a lot from my senior actors.
I think it's quite natural as an actor to compare yourself to how well other people are doing and how other people might've played that role you auditioned for. There's a lot of comparison you can do as an actor, which is natural, because it's a competitive industry. However, we're all individuals, so you can only ever be yourself.
I think if an actor is right for a role, casting sees that, and the words that are on the page, depending on how it's written, can really help your character develop.
If you create a system that makes the small donors the linchpin of the system in terms of how members of Congress directly raise the funds for their campaigns, then it gives everyday citizens much more of a role - a leveraging role - in the funding of those campaigns.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
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