A Quote by Rajiv Menon
When an actor constructs reality, it has to be riveting and entertaining. There has to be an emotional connect with the audience.
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Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor
You got to have an emotional connect with the audience who watch you.
I firmly believe that emotions are universal, and I know that when they connect with the audience, it works. There is no such thing as an entertaining or a serious film; there are good films and bad films. Good films will always find a vast audience.
Today the challenge is not visuals, but to be able to tell a riveting emotional story, something that can reach deep down inside the audience's heart and twist it like a toy to make them laugh, cry or jump out of their seats to root for the hero.
If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable. You must reach the emotional and intellectual level of ability where you can go out stark naked, emotionally, in front of an audience.
If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable. [You must] reach the emotional and intellectual level of ability where you can go out stark naked, emotionally, in front of an audience.
I am not interested in entertaining people. I think being an actor provides an opportunity to give people an experience they can connect to, reflect on, learn from, laugh at.
No support of one star or one director or one producer can make any individual actor a star. You have to connect with the audience; the audience have to like you. That is something that cannot be manipulated or fought for or tried for. Either they like you, or they don't.
Theatre has a strong connect with the audience and gratifies me as an actor, but the canvas of films is huge!
I think when you're a new actor in Bollywood, it's about seizing the moment. If you can prove to the audience there is an emotional vulnerability to your character, regardless of it being black or gray, I think the audience will accept you in any role - be it romantic or action.
I do want to focus on shows that are lighter, brighter, more emotional: shows that give the audience a chance to connect and to feel.
I think in the coming decade we will see well-conducted research demonstrating that emotional skills and competencies predict positive outcomes at home with one's family, in school, and at work. The real challenge is to show that emotional intelligence matters over-and-above psychological constructs that have been measured for decades like personality and IQ. I believe that emotional intelligence holds this promise.
As long as the actor is able to maintain an emotional relatability with the audience, he or she will be loved by them.
The artistry on the show [ Underground] is apparent in each episode. From the riveting writing to the purposeful and precise direction, the masterful work of the DP [Director of Photography] Kevin McKnight and his crew, and the layers and depths each actor goes to to ensure we the audience feel a human connection to these characters led me to sign my name on the dotted line.
With 'Utopia,' definitely it's more the idea of trying to put across a message rather than just entertaining the audience. It's entertaining as well, but there's also a lot of other things that are going on.
In anything really, it's finding the reality. You can't be 'real,' but you can create a reality. And that created reality is what the audience believes in. And that's essential. Because if the audience doesn't believe that, they're never going to trust you. And if they don't trust you, you can't lead them up the mountain.
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