A Quote by Rajkumar Hirani

In 'Sanju,' there are too many colours. Some other filmmaker could have taken a dark side to that story. — © Rajkumar Hirani
In 'Sanju,' there are too many colours. Some other filmmaker could have taken a dark side to that story.
I was too old, too young, too fat, too thin, too tall, too short, too blond, too dark - but at some point, they're going to need the other. So I'd get really good at being the other.
As we're standing there I realize we're almost exactly the same height. We must look like the dark and light side of an Oreo cookie, and I think how just as easily it could have been the other way around. She could be blocking my path; I could be trying to slip around her into the dark.
We try to guide with a light touch. Sometimes we can be helpful, and my goal with my team, both on the series side and on the film side, is that the collaboration should always be invited. In other words, we're not looking to impose our view on the filmmaker; we hire a storyteller because we love the story, and we love their ability to tell it.
The reason why so many of my photographs in the book were taken in stairwells and corridors was that that was the only bit of spare space available and, in some cases, the only place where there was enough light to see anything. Even then, it was often so dark that I couldn't tell which gender my subject was (not that I particularly cared) and too dark, before the era of autofocus, to focus. I had to find a light (or carry a torch) and pre-focus.
During the course of a day, some dark feeling comes, maybe some sadness comes, some thrill, some great happiness, some strange humor. Cinema can embrace all that in one story, just as the story of life.
We are the shadow of Sirius. There is the other side of - as we talk to each other, we see the light, and we see these faces, but we know that behind that, there's the other side, which we never know. And that - it's the dark, the unknown side that guides us, and that is part of our lives all the time. It's the mystery.
When you are on the bright side of life, do not forget the people who are on the dark side and remember that man can easily slip from one side to the other!
If I'm too cocky or too arrogant, it's like, 'Ugh.' But if you're too on the other side, you take away some of those other emotional aspects, and I just kinda like to have a balance.
And if your head explodes with dark forebodings too I'll see you on the dark side of the moon.
Many say that DOS is the dark side [from Star Wars], but actually UNIX is more like the dark side: It's less likely to find the one way to destroy your incredibly powerful machine, and more likely to make upper management choke.
As there are some faults that have been termed faults on the right side, so there are some errors that might be denominated errors on the safe side. Thus we seldom regret having been too mild, too cautious, or too humble; but we often repent having been too violent, too precipitate, or too proud.
I'm interested in the gorgeous side of life, but also familiar with the dark side too.
For me, as I've said many times, the story is not research. The story is how the characters relate with each other and with the environment... I try to apply my imagination to what could have happened and how a little child could have viewed and processed the event.
I could compare my music to white light which contains all colours. Only a prism can divide the colours and make them appear; this prism could be the spirit of the listener.
Buy ammunition! Remember that a man cannot have too many books, too many wines, or too much ammunition. Our adversaries on the other side are reaching for the excuse of lead poisoning. If they can push that idea through, you may wind up still owning your guns but without anything to shoot in them.
We manufacture a culture in the movie business, and whatever we put out creates a dark side and a bright side, too.
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