A Quote by Rajkumar Hirani

Films have to find a way to compress many anecdotes into one, or many events into one. Otherwise there is no way to tell it in two and a half hours. — © Rajkumar Hirani
Films have to find a way to compress many anecdotes into one, or many events into one. Otherwise there is no way to tell it in two and a half hours.
There are many films I would happily spend two hours with, not so many I would spend two years with. I need to be obsessed about films, because the way I work, that means two years without sleeping at all, and losing part of your life. I need to put all of my energy and heart and soul and bones and blood and skin and muscles in the things that I do.
Naturally, I mine my girlfriends' lives for good anecdotes and stories - so many of their experiences find their way into my books.
Naturally, I mine my girlfriends lives for good anecdotes and stories - so many of their experiences find their way into my books.
To make films, it always begins with two words: what and how. First of all, you have to find a story, or what are you going to tell? And you have to find a way to tell it visually.
It seemed to me, in some way, especially when you're looking back at distant historical events, the "Truth" with a capital "T" is kind of the juxtaposition of all the many, many, many truths that seem true to people at the time.
That movie [A Series of Unfortunate Events] told four books in two hours, and we have two hours per book. So we have eight hours to tell four books, and if people watch we'll get to tell more of them. There's only thirteen books, so there's only going to be two more seasons, but that allows for a lot of time to be in character and to maintain character.
I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
There are many things that have stayed consistent. But the biggest change, of course, is technology, the way it's used, the way films are shot, the format that they're shot in, and the way films, of course, are edited. It's very different than it was in the past.
I spent half my life, roughly speaking, doing the study of nature in many aspects and half of my life studying completely artificial shapes. And the two are extraordinarily close; in one way both are fractal.
For many, many years I wouldn't sing 'My Way.' It seemed pretentious for me to sing [my father's] song 'My Way.' Now it must be in the show to help us tell the story.
I needed to find my way to write. I need about six hours of uninterrupted time in order to produce about two hours of writing, and when I accepted that and found the way to do it, then I was able to write.
Mr. Russell is a great believer in versatility in all creative work. In any physical work he believes one can work many hours at a time, but in mental, creative work he believes one can do his best only for two hours at a time on any one subject, but he can work another two hours on another subject with equal freshness. He therefore sometimes works two hours a day on each of five different creations, and in that way can live five lives at a time.
I believe in the complexity of the human story, and that there's no way you can tell that story in one way and say, 'this is it.' Always there will be someone who can tell it differently depending on where they are standing ... this is the way I think the world's stories should be told: from many different perspectives.
If I could find a way to make a film that takes you into the mind of a fighter, where you have 36 minutes of combat with so many different emotions, so many highs and lows, so many obstacles to overcome, I'd do that.
It's impossible to say a thing exactly the way it was, because of what you say can never be exact, you always have to leave something out, there are too many parts, sides, crosscurrents, nuances; too many gestures, which could mean this or that, too many shapes which can never be fully described, too many flavors, in the air or on the tongue, half-colors, too many.
To date, we've arrested or otherwise dealt with many key commanders of al Qaeda... All told, more than 3,000 suspected terrorists have been arrested in many countries. Many others have met a different fate. Let's put it this way - they are no longer a problem to the United States and our friends and allies.
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