A Quote by Rajkumar Hirani
Vidhu Vinod Chopra is the only man I see around who makes films because he thinks 'this is a story that needs to be told, so let's tell it.'
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Vidhu Vinod Chopra, who has produced my earlier films, is still a part of 'PK' and is presenting it. He is not a hands-on producer - he used to put a certain amount in the bank and give me the cheque book.
I look for a great story. One that I would like to watch, or tell, or that I think needs to be told, because I know that, as an actress, I have a responsibility to tell certain stories and to tell them properly.
Vera said: 'Why do you feel you have to turn everything into a story?' So I told her why: Because if I tell the story, I control the version. Because if I tell the story, I can make you laugh, and I would rather have you laugh at me than feel sorry for me. Because if I tell the story, it doesn't hurt as much. Because if I tell the story, I can get on with it.
It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.
You and you alone are the only person that can live the life that writes the story that you were meant to tell. And the world needs your story because the world needs your voice.
One believes in the truthfulness of a man because of his long experience with the man, and because the man has always told a consistent story. But no man has told so consistent a story as nature.
I don't care whether the story is real or fantastical. I tell the story that needs to be told.
I have picked 'mainstream' films only because there is a story, and there are lovely people attached to it. That's a conscious decision always for me. What's the point if there is no story to tell?
I don't tell a story unless I have a very deep bench. If you tell an idiosyncratic story, there's no resonance. People read it and say, "I don't see anyone like that." So I tell a story only when I have many stories behind it.
I have got my story. Adoptees rarely get our stories. We only know what we are told. I don't even have my story, really. My mother won't tell me. She won't tell me who my father is. She won't tell me the story of my birth.
So often with beginning writers, the story that they want to start with is the most important story of their life - my molestation, my this, my horrible drug addiction - they want to tell that most important story, and they don't have the skills to tell it yet, so it ends up becoming a comedy. A powerful story told poorly becomes funny, it just makes people laugh behind their hands.
I'm just looking at whatever moment I'm at, trying to tell a story that at that time feels like it needs to be told, like I want to see it and how I'm feeling in my life.
One day, I got a call from Aditya Chopra and he said, 'Ma'am, I am Aditya Chopra speaking, Yash Chopra ji's son. I am making a film and I have a role for you.' I was so simple at that time, I told him, 'Ya fine, I am shooting at Noor Mahal bungalow, you come and meet me there.'
I am only a mouthpiece through which to tell the story of lynching and I have told it so often that I know it by heart. I do not have to embellish; it makes its own way.
We always tell everyone that women's wrestling has always been told through the lens of a man because it's a male-dominated industry. It's never been told through the lens of a woman and we want to be able to tell that story.
I think you tell the story that has to be told. You tell the story that's the truth. You tell the story that readers will be interested in and should know about.
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