A Quote by Rakshit Shetty
Avane Srimannarayana' is the result of three years of hardwork and dedication which went into its making. We have made it very passionately, and for me, I am satisfied with the fact that we were able to make the film as we intended to do it in the first place.
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My primary passion is film-making. That's the aspect of my life that defines me, completes me, and completely grounds me. Everything else - from judging a reality TV show to hosting a talk show - is just a result of me being a film-maker. I am the happiest, satisfied and at peace when I am behind the camera.
It's good that they've seen it, but how can I be satisfied after working for two years making a film which I hope will make a difference, when the government sees the film and does nothing about it?
When people come offering you quality work, I think that is a result of the sheer hardwork and dedication I have had towards my profession.
Though I am born into a film family, I hardly had much exposure to shooting during my growing
years. My first film actually taught me about the breakdown of shots in a film. My aim is to do three
memorable roles in the next five years; films I can be really proud of. And I want to work with the best.
'Red Knot' is a film that I shot in Antarctica almost three years ago on a boat. It was a film that was improvised and it had very interesting circumstances while making the film, obviously. We were on a small boat bobbing around in Antarctica. It was a really remarkable experience.
I don't make rules myself. I didn't study enough to be able to make them. I'm too stupid. I spend my whole life making movies, so I have to enjoy it. Even at times when we had a very tight and difficult schedule, it was always enjoyable. Of course I wonder if the film will be successful afterwards. It's wonderful if a film becomes successful as a result of the enjoyment that we had
We were very, very lucky [with Tim White filmed making historic discoveries in the East African Rift ] . In 100 years, only three skeletal remains [of early man] were ever found at this site. This was the third one, and we were right there when it happened. In fact, when I first heard they had found something, I said, "Please stop it! Don't do anything right now. Let's do it tomorrow until we have unpacked our cameras and assembled our stuff.
I think a lot of people go into filmmaking thinking, "How can I make a career?" And so when they make their first film, they make it thinking, "Well, this'll be the one that gets me to the place where I can make the second film the way I want to make it, and that'll get me to the place where I can make $100 million on the third film." And I thought, "Well, if I put sustainability at the bottom of my priority list, then what opportunities is that going to free me up to pursue?" And that's what I've always done.
The very first film I ever made, when I was seven years old, when I got my hands on a camcorder, was a remake of 'Poltergeist,' which I hadn't seen yet because my parents wouldn't allow me to. But I made my own version of it, and it starred my brother in a bed sheet.
There are three movies that I am exceptionally proud of in my life, and I rarely commit to a list of films that I like, that I've made... but these are the three films that I was passionately connected to. The first was 'ET,' the second 'Schindler's List,' and third is 'Saving Private Ryan.'
When I went to film school about three years ago, the first two years you're required to make a series of short films. I started making films based on short poems.
This is one of the factors that also made me very much want to make this film, apart from the fact that I loved it. If the boy hadn't been Jewish and the man hadn't been Muslim, it wouldn't have made any difference to the film. I don't think it's relevant, really.
In Iranian cinema, all the lying takes place before making the film. In order to be able to make the film, you have to lie.
Acting never was about the money for me... Maybe in 10 years, I'll be able to appreciate the fact that I am financially stable and independent and I don't have to make bad choices. I can be very picky.
I am very proud of my three years there, of having decided to go to Manchester first - at 17, it was the perfect time for me to leave home because it helped make me as a person.
It was this feminine conspiracy which made Southern society so pleasant. Women knew that a land where men were contented, uncontradicted ans safe in possession of unpunctured vanity was likely to be a very pleasant place for women to live. So, from the cradle to the grave, women strove to make men pleased with themselves, and the satisfied men repaid lavishly with gallantry and adoration. In fact, men willingly gave ladies everything in the world except credit for having intelligence.
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