When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.
I wish podcasting was my only job - I have more fun doing that than I have doing absolutely anything else. But my job is that I'm a writer.
I feel like only now in my life do I really get it -- do I feel that sense of calm. And I feel very grounded. I feel much more confident. I feel, you know, sexier, more intelligent, more to offer, more wisdom, more life experience to draw from.
It is important to remember that these are your Declining Years, in which you can jolly well decline to do what you don't feel like doing, unless not doing it would make you feel worse than doing it.
Home gigs can be hard because it's an odd collision. More than anything, I feel self-conscious when my family are in the audience. I'm doing this job which is not quite acting - part of it is me, part performance. You're presenting a cartoon of yourself to people who know you as a line-drawing.
I'm a better mother if I'm also doing my work. Some women find a lot more satisfaction from doing the hardest job, which is being a mom. But I like my day job, so I juggle a lot.
To me, it's not work. When I draw and I write, I find it relaxing. It's not like 9-to-5, where a man goes to a job and he isn't really interested in the job. Luckily, I get paid for doing what I'd do for nothing.
When you're paid to do a job, it's better to give a few minutes more to it, than a few minutes less. That's one of the differences between doing a job honestly and doing it dishonestly! See?
If I don't fool you, I'm not doing my job as a magician.
If I make you feel foolish, I'm not doing my job as a human being.
You can make the First Lady's job whatever you want it to be. To some women the job is more involved with the entertaining. They feel at home doing the things at home.
Career politicians like Marco Rubio worry more about keeping the job than doing the job and are constantly looking for their next political promotion.
When doing a job — any job — one must feel that he owns it, and act as though he will remain in that job forever.
Meta-design is much more difficult than design; it's easier to draw something than to explain how to draw it.
There is what might be called a Catch-22 of hazardous occupations: The more hazardous the job, the more men; the more men, the less we care about making the job safer. The Catch-22 of hazardous occupations creates a 'glass cellar' which few women wish to enter. Women are alienated not just out of the fear of being hurt on the job, but by an atmosphere that can make a hazardous job more hazardous than it needs to be.
Now with the allocation and the understanding of the lack of understanding, we enter into a new era of science in which we feel nothing more than so much so as to say that those within themselves, comporary or non-comporary, will figuratively figure into the folding of our non-understanding and our partial understanding to the networks of which we all draw our source and conclusions from.
When you're doing a job that benefits other people, it's easy to assume that they feel conscious of the fact that you're doing this work - that they should feel grateful, and that they should and do feel guilty about not helping you.