A Quote by Ram Gopal Varma

Films like 'Satya,' 'Company' needed a pan-Indian audience. The affinity for Hindi film and subjects was there. — © Ram Gopal Varma
Films like 'Satya,' 'Company' needed a pan-Indian audience. The affinity for Hindi film and subjects was there.
Hindi films are not made for critics, it is made for worldwide Hindi film watching audience.
I will not leave my South films for a Hindi film. I want to be sincere to my South film makers and commitments. Only if my dates are not clashing with any of my South films will I do Hindi films.
Initially, I did South Indian films because I needed the money; I had a huge student loan that I had to pay off. But I do feel that Marathi, English, and Hindi are what I'm more comfortable with.
'Newton' is a very Indian film. I think, after a long time, people will see an Indian film in its true form. As in the story, the character, it is set in the heartland of India, but it's purely like how there was a time when Hrishikesh Mukherjee used to make sweet Indian films.
'Satya' and 'Company' are two very dark and brooding relationship films; there was no hero.
It is natural for the national audience to recognize me as an actor through 'Kahaani' because the film is in Hindi and has a far wider reach than Bengali films.
'Satya' was a groundbreaking film that opened people's eyes. People like Ram Gopal Varma and Shekhar Kapur introduced such films in the industry as never seen before, and it wasn't easy if you went to a producer with an arthouse film back in the '90s. They'd laugh you out of the room.
I remember breaking the news to both my parents that I wanted to be a director, and they both looked very doubtful. They didn't know what a closet Hindi film buff I was. I used to dance to old Hindi films songs on the sly, so my decision to be a part of Hindi cinema was shocking even for my parents.
Whether the film is a Hindi film or in a South Indian language, I don't think it matters.
When you are a pan-Indian actress, you are doing films in different languages and invariably, you end up not signing films in one language or the other for a brief period.
I have always been a pan-Indian actress with pan-Indian taste.
When I did my first Hindi film, 'Sargam,' I had to play a dumb girl. Critics went to town saying that since I was a south Indian and didn't know how to speak Hindi, producers of the movie decided to make me play dumb.
I'm happy that the kind of films I'm doing right now is reaching a wider audience, and I'm looking forward to direct Hindi films as well.
I like doing Marathi films. I am not too keen on Hindi TV shows. It's very tough to get Hindi films, but if a good script and role comes up in future, I will surely pick it up.
Hindi film industry makes film for the rest of the world. Tamil films are watched by Malay people. When a film is not bound by a language, why should an actor be?
At the end of the process we called a market research company to find out whom the film was for or what was the target audience. We didn't have a lot of money to release the film, so in order for it to play in cinemas, which are dominated by films with much larger marketing budgets, we had to discover whom the film was for.
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