A Quote by Ram Gopal Varma
The industry has a standard way of judging actors: they do ten films, they get X price, and they get this number of awards, seen at page three parties and all that - that is how they measure success. I don't do it like that.
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There are lots of variables that come into play in the industry, like attending parties and dating actors. When you don't indulge in all this, you tend to get affected in some way.
You can measure films on box office success, or people lovin' the movie whenever they see it. That's what I measure my movies on. How much people love these movies after they get a chance to see them, no matter how they get a chance to see them.
For someone, success is to be the highest paid actress. For some, it might be the number of awards, and for some, it is the number of films. Honestly, I feel privileged when a celebrated filmmaker offers me a role so that I can be a part of his vision. That is success for me.
Success is like anything worthwhile. It has a price. You have to pay the price to get to the point where success is possible.
I haven't given it (achieving 3,000 hits) much thought. I was taught a certain approach, how to come to the ballpark. I try not to do too much thinking about things like that. In this society we measure success in different ways. Three thousand (hits) represents success over a career, not a season. It'll be nice to get to that point.
I don't want to follow the map of what the music industry does because I've already lived the industry and I still live the industry so I already understand how it works. The industry doesn't really like us around anyway once we get older because we know too much so, that's fine - cut us off - and we'll find another way to get it out there.
There are a lot of actors in the world, there's a small number that actually get to work as actors, and there is a tiny group of actors that are celebrated in the way that I have been. I feel incredibly lucky.
It is one of the benchmarks of a culture I always think – the page at which it operates. A good way to measure it is to order a taxi and see how irate local people get if it is late.
As the director, you're meant to be critical and you are, so there are loads of things. But the thing is, the way I look at it is, to try to get some measure of success, it's dangerous to look at financial or critical success, or positive response as a measure.
I say have the night and give people the awards, but why do people want to watch people win awards? What are they getting out of it? I don't quite get it. Because they have awards all the time; there's awards for butchers, the best meat served, but they don't televise it. I don't know why they do it for films or TV programs.
Since we are assured that the all-wise Creator has observed the most exact proportions of number, weight and measure in the make of all things, the most likely way therefore to get any insight into the nature of those parts of the Creation which come within our observation must in all reason be to number, weigh and measure.
What's not to look forward to? It's like all the actors in all of the films. It's difficult to get Martin Freeman and I in a room together. Imagine what it's like to get myself, Chris Hemsworth, Robert Downey Jr., Elizabeth Olsen... these extraordinary actors who all have careers outside the Marvel Universe.
The best way to measure how much you've grown isn't by inches or the number of laps you can now run around the track or even your grade point average - though those things are important, to be sure. It's what you've done with your time, how you've chosen to spend your days, and whom you have touched this year. That, to me, is the greatest measure of success.
I would like to address the issue of farmers through my craft - my films. But, the sad part is that such films win awards but don't get any rewards at the BO.
I probably haven't even seen ten of the films I've done. I don't get a joy out of it, and I don't go to the movies.
People say, "How do you get into the British film industry?" There is no British film industry, there are just people making films and finding their own way. It's not like in the States where there are studios and there's an actual infrastructure to it; there's just nothing here. You make it from scratch a lot of the time.
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