We see many posters and standees at cinema halls, and some catch attention. But these posters are soon forgotten. Taking a picture with the actors, enabled by AR, helps record a memory.
I had 45 Avril Lavigne posters. Those were my first posters.
Growing up, my room was covered in posters. I was like, "I want to make posters."
We need to band together in solidarity. There's so many portions of our community that are under-represented. You rarely see disabled actors on movie posters or black men or Latino guys.
I have so many photos of myself in my room when I was a kid; I had one wall that was all TLC posters that I got free at some record store, then another wall was all Public Enemy, and the last wall was all '90210.'
When I was just 13 years old, I even painted cinema posters.
I got drafted into the army and by pure chance was pushed into a silk-screen shop at this camp where I was, because they could not get training posters fast enough out of a central source in Washington, D.C. So they set up their own shop to print training posters: how to dismantle a machine gun, etc.
I know some directors get very involved in trailers and posters. Some even cut their own. I stay completely away from it. I just see my job as making a film.
Handwritten political posters - often composed in an artless and unadorned style, usually just words on plain white paper - were ubiquitous in South Korea in the 1970s and 1980s and were one of the few outlets available for expressing political views. Most posters were anonymous and put up under the cover of night.
I am sure in some years from now you will see new posters with just white space and four lines in Garamond.
Yeah, I did some small parts in high school and the first year of college and then fairly soon thereafter I settled into the backstage scenery, and then at the University of Maryland I was doing posters for their productions.
Growing up, I lived in a house without art: no picture books on the shelves, no visits to museums, no posters on the bedroom wall.
I never had posters on my wall and when I meet actors that I really admire, it's exciting because I get to work with them.
And one has eaten and one walks,
past the magazines with nudes
and the posters for bullfight and
the Manhattan Storage Warehouse,
which they'll soon tear down.
If we see someone, an artist who just does magnificent art, and especially if they're already doing Ghost-related art, we just reach out and start collaborating. But when it comes to the record sleeves and the tour posters, I'm usually quite particular.
I can tell you a graphic difference. In Prague, for example, big red posters were put up on which could be read that seven Czechs had been shot today. I said to myself: If I put up a poster for every seven Poles shot, the forests of Poland would not be sufficient to manufacture the paper for such posters.
Fans see you on hoardings, posters, on the screen with perfect makeup, perfect hair, perfect clothes etc. Perfection is such a hunger! Especially when it comes to actors and stars, they always expect perfection.