A Quote by Rana Daggubati

I didn't set out to be a regular hero. — © Rana Daggubati
I didn't set out to be a regular hero.

Quote Topics

When I look back at the people who were most influential in my life, it wasn't Kobe Bryant, it wasn't Michael Jordan, it wasn't Muhammad Ali. It was regular people who do, like, regular jobs in Ames, Iowa, who had impact. My hero was the secretary in the department of music - my mom.
In feature films, I used to be the hero's friend, a regular character. In short films, I played the hero; I got roles where I could work on my character and performance. They made me aware of myself as an actor.
Could it be ... that the hero is one who is willing to set out, take the first step, shoulder something? Perhaps the hero is one who puts his foot upon a path not knowing what he may expect from life but in some way feeling in his bones that life expects something of him.
No one wants to set out to be a hero, and discover that they've been a villain all along.
In 'Njan Prakashan,' we set aside conventional definitions of a hero. Fahadh Faasil does not play a protagonist who wins all the time and you can see the character flee during fights. Such a hero is a rarity and the viewers could easily identify with him.
No hero is a hero if he ever killed someone! Only the man who has not any blood in his hand can be a real hero! The honour of being a hero belongs exclusively to the peaceful people!
We have these rules, the 'hero rules.' Like, a hero doesn't slouch. A hero walks proudly with his head up. A hero walks with a purpose. A hero's always a gentleman.
I grew up in a household with two brothers and we lived in the bush. We were constantly building weapons and forts and things. But I didn't set out to be an action hero.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
When I was racing, I had learned that you can't set stock in public adoration or your press clippings. By the time I was 26, I'd heard crowds of 100,000 scream my name, but a week later they couldn't remember who I was. You're a hero today and a bum tomorrow - hero to zero, I sometimes say.
I got to work for my hero and travel with him on a regular basis. It doesn't get much better than that for a job.
I need a hero, I'm holding out for at hero 'till the end of the night He's gotta be strong and he's gotta be fast And he's gotta be fresh from the fight I need a hero, I'm holding out for a hero 'till the morning light He's gotta be sure and it's gotta be soon And he's gotta be larger than life, larger than life
I think people want to see a hero. It's interesting that with everything that goes on now from shootings to everything, as time goes on, I'm just starting to realize just how bad people want to see a regular hero.
I'm not cut out to play a filmi hero. I don't look like a hero.
One set at extreme intensity does the muscle-building job. It must be stressed that the one final, all-out set I do takes me to the very limit of my capabilities. If you feel you can attempt a second set, then you couldn’t have been pulling out all the stops during the first set. It's not pretty, but it works.
I found out everybody's different--the same kind of different as me. We're all just regular folks walkin down the road God done set in front of us.
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