A Quote by Randal Kleiser
In order to do a musical now, a style must be developed that works for today's audience.
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I think the genre of musical theatre, when it started, the pop songwriters of the time were writing the music. I think sometimes when we write musicals now, we keep writing in that same style, as though that's the musical theatre genre... We have to figure out how to tell stories with the music that we listen to now, or we'll lose our audience.
My musical style was developed basically by listening to music. The music I like helped to mold my style. I used to listen to the majority of down south music when I was a shorty coming up.
Probably my two biggest musical influences were the Everly Brothers and the Beatles, in chronological order. Both of them have had a very simple-sounding musical style that's actually quite complex as far as popular songs are concerned.
In many ways the book [Saving Calvinism] is trying to argue for a more popular audience things I've said in some more scholarly works, namely, that the Reformed tradition is broader and more variegated than is often reported today, and that we need to recapture something of this in order that we don't end up unnecessarily narrow in our doctrine and in order to keep some perspective.
As regards the presentation of musical ideas, obviously rules of order soon appeared. Such rules of order have existed since music has existed and since musical ideas have been presented... So we shall try to put our finger on the laws that must be at the bottom of this.
It seems like pop singing has sort of influenced musical theatre in so many ways - you could argue good or bad, really - and musical theatre is written for that style so often, which is a completely different style.
God must have been engaged from the beginning, and must now be engaged in progressive development, and infinite as God is, he must have been less powerful in the past than he is today.... We may be certain that, through self-effort, the inherent and innate powers of God have been developed to a God-like degree. Thus he has become God.
My vocal style I haven't tried to copy from anyone. It just developed until it became the girlish whine it is today.
Today, Israel is stronger than ever. Israel has defensive tools of its own - those developed in the past and those developed today and those that will be developed tomorrow.
Like, I kind of developed my musical style in a vacuum. Even though I listen to a lot of stuff, the way I wrote was in my bedroom, really privately. It's still the way I write, actually.
I had no style when I was 17! I look at teenagers now and say, 'I wish I'd looked like them when I was that age.' I had no style whatsoever, but style also wasn't as prominent as it is today. I was just very laid back, usually wearing jeans and tank tops and flip flops.
My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.
Recently, the Germans have developed a tendency to prefer the so-called first (youthful) style of great artists to their mature works. Could it be that they do not realize that their aesthetic criteria, generally speaking, are juvenile?
Why compose works that have to be re-created every time they are performed? Because definitive, once-and-for-all developments seem no longer appropriate to musical thought as it is today, or to the actual state that we have reached in the evolution of musical technique, which is increasingly concerned with the investigation of a relative world, a permanent 'discovering' rather like the state of 'permanent revolution'.
It must take account of what it decrees for today in order that today may not paralyze tomorrow.
One hundred percent, all your Shakespeare training serves you in the work in musical theater today: specifically in modern musical theater, our soliloquies, and now what we call rap. It's the reason it's so easy to learn, because it's verse; it's rhyme! It just sticks in the soul very easily.
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