A Quote by Rania Attieh

To seek out making films that are unique and insightful, boundary-pushing and genre-bending, and not films that fit into the neat, little boxes that people "want" (expect) women to be making. In some ways, I guess for me, any filmmaker should strive to be a good director first, regardless of their gender, race, sexual orientation etc.
Women will not simply be mainstreamed into the polluted stream. Women are changing the stream, making it clean and green and safe for all - every gender, race, creed, sexual orientation, age, and ability.
I think that, as a filmmaker, you're always making the same film, regardless of how many different stories you tell. This is the case for me, whether I'm making documentaries or fiction films.
Everyone - regardless of their background, wealth, race, faith, gender, sexual orientation or age - should be able to fulfil their potential and succeed.
In some ways, many of the skills you have as a producer on independent films also apply to making big tentpole films: You surround yourself with a brilliant director, great script and talented people in every department who are smarter than you.
Director Omprakash Rao, who is known for making action films, has proved that he is equally good and adept at making comedy films as he is himself a comedian.
Regardless of your religious belief, race, ethnicity, gender, sexual orientation, or gender identity, there is no place in our communities for hate.
One thing I know is that I don't want to be a director for hire, making genre films.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
I'm happy that my films were discovered by chance by foreign film festivals. That makes me realise more that there is a world outside Japan too. For me, it's an occasion to meet many people and to experience directly the response of international audiences to my films. But for me as a director, my attitude towards making films hasn't changed with the fame. I feel it's not good to change as a person anyway
It's true that there are younger people making films, and there are different kinds of films. This has created some attention in what's coming out of Greece, and people like to find a way to name this new ethnic cinema. It's not like there's a movement, or a common philosophy in making these films. They're just things that happened, and now people are paying attention to it.
Ultimately, the wisest course for anybody who's afflicted with same-gender attraction is to strive to extend one's horizon beyond just one's sexual orientation, one's gender orientation, and to try to see the whole person.
I think that I burnt myself out a little bit with my dancing because I did so much of it. I was exhausted so thought that I would try a different kind of performance and expression and acting seemed like a close fit; it was similar in some ways to dancing. My mum showed me some really good films and so I became interested in films and acting.
The 'X-Men' stories are the stories of outsiders: people who don't fit into normal society and are ostracised; it's a metaphor for gender, race, or sexual orientation.
It is my firm belief that the highest value must be placed on the virtue of each individual, regardless of gender, race, religion, or sexual orientation.
We need to guarantee equal rights and civil rights and say that, here in America, workers have the right to organize - women have the right to choose - and justice belongs to everyone regardless of race or gender or sexual orientation.
In our hearts and in our laws, we must treat all our people with fairness and dignity, regardless of their race, religion, gender or sexual orientation. . . .
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