A Quote by Raoul Peck

Today, I don't even think that people like [James Baldwin] are possible. He would not have that much room. — © Raoul Peck
Today, I don't even think that people like [James Baldwin] are possible. He would not have that much room.
[James] Baldwin is needed even more today because he helps you focus to the essential, to what is important.
My dream role is to portray someone like James Baldwin. I've always been a fan of his writing, and I feel like he's one of our unsung heroes. He's been pretty much forgotten, and I think he needs to be recognized. He had to go all the way to Europe to find recognition and acceptance, and I'd just like to bring him to the forefront.
I don't think it would be possible for me to respect people like Ridley Scott or James Cameron more than I already do. They're gods of filmmaking.
It means so much to be a part of bringing James Baldwin's words to life.
I guess he was such an open, emotional vessel that I think he tapped into human nature, so it just left people wondering what would have happened. I think James Dean would be 83 today. He could be here, what would he be doing?
Well if I had my choice I would not - I wouldn't mind working with Alec Baldwin, but the mother role - I'm kidding. It's terrific. I'll tell you what happened with Alec Baldwin and myself. This is a couple acting together just this side of heaven. He's one of the best actors I've ever worked with in whole life. And I - I'm not overdoing it. I just think he's about the best around today. So I got lucky.
The role James Baldwin played in my life is incommensurable as stated above. He helped, along with a few others, to shape the man that I am today. My debt to him is invaluable.
Over the years, he disappeared - like a lot of our leaders disappear. [James Baldwin] was not assassinated, but somehow he went through those assassinations as if it was himself. I think that broke him as well.
The name James Baldwin had been around the house for as long as I could remember and meant almost as much as that of Martin Luther King.
As much as I love to slay a red carpet hitting the ground running with 'Beale Street' and 'Native Son,' representing two such important voices in James Baldwin and Richard Wright let people know that I'm an artist and I really have something to say with this gift.
There will be, and should be, reams and reams of analysis, even praise, for our friend but also even larger measures of non-analysis and, certainly, condemnation for James Baldwin, the Negro writer.
The draining away of James Baldwin's magic was a drama much discussed in the years leading up to his death in 1987 at the age of sixty-three.
Actually, I don't even like parties. I would much prefer a room with four friends who sit around and have dinner. I detest nightclubs. And I don't like places where the noise is so loud you can't talk to people.
James Baldwin is probably, for me and for many other people, one of the most extraordinary authors in this country, black or white. And he is somebody who changed my life.
I'm a big James Baldwin fan.
When I was in graduate school, my thesis included both poetry and essays. Influenced by the personal essays of James Baldwin and Norman Mailer, I loved the form, but pretty much stopped.
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